Philip Sicker (New York Fordham University)

Ulysses, Film and Visual Culture

• Gebundenes Buch

Produktbeschreibung

Shows how Joyce's narrative styles and his protagonists' perceptions are shaped by visual technologies, including dioramas, stereoscopes, mutoscopes and film.

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Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 278
• Erscheinungstermin: 8. März 2019
• Englisch
• Abmessung: 235mm x 157mm x 20mm
• Gewicht: 538g
• ISBN-13: 9781108428408
• ISBN-10: 1108428401
• Artikelnr.: 52907120

Autorenporträt

Philip Sicker is Professor of English at Fordham University, New York, and co-editor of Joyce Studies Annual. He has published widely on James Joyce, Henry James, D. H. Lawrence, T. S. Eliot, Thomas Mann, Vladimir Nabokov, narrative theory and film.

Inhaltsangabe

Introduction: Joyce's spectacles: technologies of sight
1. Ineluctable visuality: Stephen's ways of seeing
2. 'Caught in this burning scene': Stephen in the gaze of others
3. Snapshots from the pavement: Bloom as modernist flaneur
4. Painting motion: 'wandering rocks' as futurist narrative
5. 'Alone in the hiding twilight': Bloom's cinematic gaze in 'Nausicaa'
6. Mirages in the lampglow: 'circle' and Melies's dream cinema
7. Vision conjoined: Stephen and Bloom's intersubjective perception.