Michael Caesar

Umberto Eco

Philosophy, Semiotics and the Work of Fiction

• Gebundenes Buch

Produktbeschreibung

This book provides a comprehensive introduction to the work and thought of Umberto Eco - one of the most important writers in Europe today. While Eco became world-famous with his best-selling novel The Name of the Rose, his writings have been influential in many fields for several decades. Caesar retraces the development of Eco's thought and its impact on literary studies, aesthetics, philosophy and semiotics. He shows how, throughout the 1950s and 1960s, Eco elaborated his theory of art, bringing together medieval aesthetics, the modernist avant-garde and his interest in the mass media. He discusses Eco's attempts to synthesize a general theory of signification and communication which would embrace both popular and mass culture - attempts which culminated in A Theory of Semiotics. Caesar also examines Eco's emergence as a novelist with the publication of The Name of the Rose in 1980 and the novels that followed it, and explores Eco's theories of reading and interpretation which take shape between The Role of the Reader and Six Walks in the Fictional Woods. The book concludes with an analysis of the themes addressed in Eco's most recent work, Kant and the Platypus. Wide-ranging and up to date, this engaging study will appeal to students of literature, philosophy and cultural studies, and to anyone who wants a clear introduction to one of Europe's most stimulating and original intellectuals.

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Produktdetails

• Verlag: Polity Press
• Seitenzahl: 208
• Erscheinungstermin: 3. August 1999
• Englisch
• Abmessung: 236mm x 157mm x 21mm
• Gewicht: 445g
• ISBN-13: 9780745608495
• ISBN-10: 0745608493
• Artikelnr.: 21748458

Autorenporträt

Michael Caesar is Professor of Italian and Head of Italian Studies at the University of Birmingham.

Inhaltsangabe

Acknowledgement ix 
Note on References x 
Introduction 1 
1 Form, Interpretation and the Open Work 6
On form and interpretation: from Croce to Pareyson 6
Art and rationality 10
The appearance of Opera aperta 15
The poetics of the open work 18
Beyond 'openness' 23 
2 A Critical View of Culture: Mass Communications, Politics and the
Avant-garde  28
The role of the avant-garde 29
Mass communications and theories of mass culture 37
Television and semiotic guerrilla war 43
Openness and structure 47 
3 Introducing the Study of Signs 54
Signals and sense 55
Ambiguity, self-reflexivity and the aesthetic message 64
The critique of iconism 67
Some provisional conclusions on the aesthetic message 69 
4 A Theory of Semiotics 76
From La struttura assente to A Theory of Semiotics 76
Communication, code and signification 81
Sign and sign-function 83
Sign production, iconism and the aesthetic message (again) 90 
5 Semiotics Bounded and Unbound 100
The boundaries of semiotics 102
The dynamics of semiosis 111 
6 Theory and Fiction 120
Readers and worlds Texts 120 
7 Secrets, Paranoia and Critical Reading 145 
8 Kant, the Platypus and the Horizon 162 
Notes 171 
Select Bibliography 184
Index 193