Uncanny Histories in Film and Media probes the uncanny as a mode of historical analysis. Whether writing about film movements, individual works, or the legacies of major or forgotten critics and theorists, the contributors challenge our inherited narratives to reveal a disturbance of what was once familiar in the histories of our field.
Uncanny Histories in Film and Media probes the uncanny as a mode of historical analysis. Whether writing about film movements, individual works, or the legacies of major or forgotten critics and theorists, the contributors challenge our inherited narratives to reveal a disturbance of what was once familiar in the histories of our field. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
PATRICE PETRO is a professor of film and media studies, Dick Wolf Director of the Carsey-Wolf Center, and Presidential Chair in Media Studies at the University of California, Santa Barbara. She is the author, editor, and co-editor of thirteen books, including The Routledge Companion to Cinema and Gender.
Inhaltsangabe
Acknowledgments Introduction: Uncanny Histories Part I: The Disciplinary Uncanny Chapter 1: Film and Media in the Double Take of History Chapter 2: Haunted by the Body: Cleanliness in Colonial Manila's Film Culture Chapter 3: Reimagining the History of Media Studies through Games, Play, and the Uncanny Valley Part II: Uncanny Films Chapter 4: Flickering Lights and Mischievous Stars: The Uncanny Feminism of My Twentieth Century Chapter 5: The Sublime Body under the Sign of Developmentalism: The Wolf of Wall Street (2013), Malaysian Politics and Global Markets Chapter 6: Uncanny Histories of Transnational Cinematic Receptions: Eisenstein in Cuba Part III: Uncanny Figures Chapter 7: Julio García Espinosa and the Fight for a Critical Culture in Cuba Chapter 8: The Case for (Re)collecting Lotte Eisner's Work Chapter 9: A Widow's Work: Archives and the Construction of Russian Film History Chapter 10: Fiendish Devices: The Uncanny History of Almena Davis Notes on contributors Index
Acknowledgments Introduction: Uncanny Histories Part I: The Disciplinary Uncanny Chapter 1: Film and Media in the Double Take of History Chapter 2: Haunted by the Body: Cleanliness in Colonial Manila's Film Culture Chapter 3: Reimagining the History of Media Studies through Games, Play, and the Uncanny Valley Part II: Uncanny Films Chapter 4: Flickering Lights and Mischievous Stars: The Uncanny Feminism of My Twentieth Century Chapter 5: The Sublime Body under the Sign of Developmentalism: The Wolf of Wall Street (2013), Malaysian Politics and Global Markets Chapter 6: Uncanny Histories of Transnational Cinematic Receptions: Eisenstein in Cuba Part III: Uncanny Figures Chapter 7: Julio García Espinosa and the Fight for a Critical Culture in Cuba Chapter 8: The Case for (Re)collecting Lotte Eisner's Work Chapter 9: A Widow's Work: Archives and the Construction of Russian Film History Chapter 10: Fiendish Devices: The Uncanny History of Almena Davis Notes on contributors Index
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