"'The line, ' wrote William James, 'is the relation.' In a study of stunning originality, Thomas Lamarre gives us the brushwork line, the line of poetic gesture--and through it, the relation between nation and sensation. "Uncovering Heian Japan" combines an exquisitely researched archeology of Japanese writing with far-ranging reflections on race, nation, and collective expression. A major contribution not only to Japanese studies, but to the interdisciplinary realm of cultural theory as a whole."--Brian Massumi, State University of New York at Albany
"'The line, ' wrote William James, 'is the relation.' In a study of stunning originality, Thomas Lamarre gives us the brushwork line, the line of poetic gesture--and through it, the relation between nation and sensation. "Uncovering Heian Japan" combines an exquisitely researched archeology of Japanese writing with far-ranging reflections on race, nation, and collective expression. A major contribution not only to Japanese studies, but to the interdisciplinary realm of cultural theory as a whole."--Brian Massumi, State University of New York at Albany
Thomas LaMarre is Professor of East Asian Studies at McGill University.
Inhaltsangabe
Acknowledgments vii A Note on Transliteration and Illustrations ix Introduction: Unstating Heian Japan 1 Part One. The Interpretation of Rebuses 1. Revising the Rebus 13 2. Kana Inscription and Stylistic Differentiation 26 3. Composition and Competition 50 Part Two. Inscription and Sensation 4. Toward a History of Styles 77 5. Heian Calligraphy 93 6. The Multisensible FIgure: Ashide Shita-e Wakanroeisho 116 Part Three. The Song Machine 7. Two Prefaces, Two Modes of APpearance 143 8. Tsurayuki's Song Machine 161 Notes 189 Works Consulted 207 lIllustrations 217 Index 229
Acknowledgments vii A Note on Transliteration and Illustrations ix Introduction: Unstating Heian Japan 1 Part One. The Interpretation of Rebuses 1. Revising the Rebus 13 2. Kana Inscription and Stylistic Differentiation 26 3. Composition and Competition 50 Part Two. Inscription and Sensation 4. Toward a History of Styles 77 5. Heian Calligraphy 93 6. The Multisensible FIgure: Ashide Shita-e Wakanroeisho 116 Part Three. The Song Machine 7. Two Prefaces, Two Modes of APpearance 143 8. Tsurayuki's Song Machine 161 Notes 189 Works Consulted 207 lIllustrations 217 Index 229
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