Uncovering Music of Early European Women (1250-1750)
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Uncovering Music of Early European Women (1250 - 1750) brings together nine essays that investigate aspects of female music-making and musical experience in the medieval and early modern periods.

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Produktbeschreibung
Uncovering Music of Early European Women (1250 - 1750) brings together nine essays that investigate aspects of female music-making and musical experience in the medieval and early modern periods.
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Autorenporträt
Claire Fontijn (PhD, Duke University) is Phyllis Henderson Carey Professor of Music at Wellesley College. In 2007, she won the Nicolas Slonimsky Award for Classical Music Biography from ASCAP/Deems Taylor for her monograph Desperate Measures: The Life and Music of Antonia Padoani Bembo (2006; 2013). Together with Susan Parisi, she edited Fiori Musicali: Liber Amicorum Alexander Silbiger (2010). Her second monograph is titled The Vision of Music of Saint Hildegard's Scivias-Synthesizing Image, Text, Notation, and Theory (2013). She has contributed chapters to books on topics ranging from the subjectivity of the Virgin Mary in music (Naomi J. Miller and Naomi Yavneh [eds.], Maternal Measures, 2000), to the chorales of Fanny Hensel and Felix Mendelssohn (Anselm Hartinger, Christoph Wolff, and Peter Wollny [eds.], "Zu groß, zu unerreichbar"-Bach-Rezeption im Zeitalter Mendelssohns und Schumanns, 2007), to opera (Francesco Luisi [ed.], Francesco Buti tra Roma e Parigi, 2009). Her work has been supported by the American Musicological Society, the Andrew W. Mellon Foundation, the Gladys Krieble Delmas Foundation, the National Endowment for the Humanities, and the Woodrow Wilson National Fellowship Foundation.