Ron Silliman

Under Albany

• Broschiertes Buch

Produktbeschreibung

"Under Albany is the shadow movement of Ron Silliman's epic of everyday life, The Alphabet. Silliman provides a set of extended, vividly etched, mostly autobiographical, meditations on the background for each of the original 100 sentences of his 1981 poem Albany. This constructivist memoir provides an exquisitely rich exploration of the relation of context to reference, subtext to meaning, back story to presented experience, and composition to poetics. All of Silliman's work unravels and reforms in this exemplary and exhilarating act of attention, recollection, and reflection." --Charles Bernstein

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Produktdetails

• Verlag: Salt Publishing
• Seitenzahl: 112
• Erscheinungstermin: 15. November 2004
• Englisch
• Abmessung: 216mm x 140mm x 7mm
• Gewicht: 152g
• ISBN-13: 9781844710515
• ISBN-10: 1844710513
• Artikelnr.: 22264054

Autorenporträt

Ron Silliman has written and edited over 30 books, and has had his poetry and criticism translated into 12 languages. He has worked as a political activist, editor, and market analyst. Among his honours, Silliman was a 2012 Kelly Writers House Fellow at the University of Pennsylvania, and the 2010 recipient of the Levinson Prize, from the Poetry Foundation. His sculpture poetry (Bury Neon) is permanently on display in the transit centre of Bury, Lancashire, and he has a plaque in the walk dedicated to poetry in his home town of Berkeley, although he now lives in Chester County, Pennsylvania."Called a 'thaumaturge' ('wonder-worker') by the poet Robert Duncan, Silliman has created a new kind of writing from the simplest materials.... The poet confides, describes, extols, remarks, puns, paints domestic scenes, slyly alludes, records minutiae, leaps to large statements, arouses, repeats. Through it all, a friendly, northern California sort of personality emerges." -David Melnick, San Francisco Chronicle"What I find most striking about Silliman's sentences is that they're fun; they give pleasure in many different ways, through their wit, their allusiveness, their visuality, their phonetic texture, their descriptive precision, or their sheer unlikeliness." -Roger Gilbert, Contemporary Literature"Of all the language poets, Silliman's express-line writing was and is the one that stuck to my ribs. It was so thingy, so specific, so formally radical, so hard-headed, yet witty, and now and then, in spite of itself, lyric. I liked his post-industrial music. I loved Ketjakand Tjanting and Paradise... And the reach-the compulsion to pull everything in." -C.D. Wright, Jacket