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Women's oppression has been a pervasive issue throughout history, with women being subjected to gender-based violence, discrimination, and marginalization. These challenges have been perpetuated by patriarchal systems that have been in place for centuries, reinforced by societal norms and expectations. This study undertakes a comparative analysis between Atwood's text The Handmaid's Tale (1985) and its ballet adaptation presented by Ecole De Dance Anick Macconnel at Fever International Dance Championships (2019). It also explores the inevitable narrative changes that occur when adapting a…mehr

Produktbeschreibung
Women's oppression has been a pervasive issue throughout history, with women being subjected to gender-based violence, discrimination, and marginalization. These challenges have been perpetuated by patriarchal systems that have been in place for centuries, reinforced by societal norms and expectations. This study undertakes a comparative analysis between Atwood's text The Handmaid's Tale (1985) and its ballet adaptation presented by Ecole De Dance Anick Macconnel at Fever International Dance Championships (2019). It also explores the inevitable narrative changes that occur when adapting a novel to other genres, with a focus on the ballet interpretation. At the forefront of this study lies the categorization of The Handmaid's Tale as a work of speculative fiction set within an apocalyptic backdrop, aiming to illuminate the ubiquitous oppressiveness characterizing the examined society. To provide a deep analysis of the two texts, the study employs several theoretical frameworks.
Autorenporträt
Nouran Tarek Hassan graduated from Faculty of Al-Alsun, English Department, Ain Shams University. She got her MA in Comparative Literature from Arab Open University in partnership with Open University UK in 2021. She is currently a PhD candidate at Faculty of Arts, Ain Shams University. Her main research interests are gender studies and feminism.