Under the Skin
Feminist Art and Art Histories from the Middle East and North Africa Today
Herausgeber: Özpinar, Ceren; Kelly, Mary
Under the Skin
Feminist Art and Art Histories from the Middle East and North Africa Today
Herausgeber: Özpinar, Ceren; Kelly, Mary
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Under the Skin examines contemporary women's art from the Middle East and North Africa, introducing the latest scholarship on art production, histories and methods in approaching modern and contemporary visual culture.
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Under the Skin examines contemporary women's art from the Middle East and North Africa, introducing the latest scholarship on art production, histories and methods in approaching modern and contemporary visual culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 222
- Erscheinungstermin: 24. November 2020
- Englisch
- Abmessung: 246mm x 191mm x 28mm
- Gewicht: 798g
- ISBN-13: 9780197266748
- ISBN-10: 0197266746
- Artikelnr.: 60164542
- Verlag: Hurst & Co.
- Seitenzahl: 222
- Erscheinungstermin: 24. November 2020
- Englisch
- Abmessung: 246mm x 191mm x 28mm
- Gewicht: 798g
- ISBN-13: 9780197266748
- ISBN-10: 0197266746
- Artikelnr.: 60164542
Dr Ceren Özp¿nar is a Senior Lecturer at the University of Brighton, History of Art and Design Programme. She was previously a British Academy Newton International Fellow at the University of Sussex (2015-17). Dr Özp¿nar's research focuses on contemporary art, art historiography, and feminist art and art histories since 1960 with a special interest in Turkey and the Middle East. Her first monograph, The Art Historiography in Turkey (1970-2010) was published in 2016, and the next, entitled Politics of Writing Art Histories: Narratives of Contemporary Art, Feminism and Women Artists from Turkey, is forthcoming from Oxford University Press in 2021. Dr Mary Kelly (née Healy) is a Lecturer in Contemporary Art History, Theory and Gallery Studies & Director of the MA in Global Gallery Studies at University College Cork, Ireland. She is also a Research Associate at the Centre for Gender and Women's Studies, Trinity College Dublin. She is an Irish Research Council Awardee and a Fulbright Scholar. Dr Kelly's research and teaching employ a comparative discourse analysis which bridges European Orientalism and postcolonial theories; women's art and feminisms; contemporary art from the Middle East and North Africa, and the role of fine art galleries in societies. Her publications include invited chapters with the British Museum (2019); journal articles published in Cultural & Social History (2018) and Women Studies (2015); and her forthcoming monograph is entitled French Women Orientalist Artists, 1861-1956: Cross-cultural Contacts and Depictions of Difference (Ashgate, Taylor & Francis).
* foreword,GRISELDA POLLOCK, NADIA RADWAN, MANDY MERZABAN
* List of Figures
* Note on Contributors
* Acknowledgements
* Introduction
* Agency and Resistance to National and Global Discourses
* 1: NADINE ATALLAH: Have There Really Been No Great Women Artists?
Writing a Feminist Art History of Modern Egypt
* 2: CHARLOTTE BANK: Feminism and Social Critique in Syrian
Contemporary Art
* 3: TAL DEKEL: Hyphenated. Transnational Feminism in Contemporary
Israeli Art: Between Mizrahi and Arab Identities
* 4: LINA M. KATTAN: The Moment of Change: Thematic Strands of
Contemporary Saudi Women's Art
* Translating Ethnicity and Subjectivity into Art
* 5: SOMAYEH NOORI SHIRAZI: The Articulating-self Inside Out: Katayoun
Karami and Becoming a Woman
* 6: ISABELLE DE LE COURT: Squares of Colour: Abstraction in The Work
of Saloua Raouda Choucair and Etel Adnan
* 7: HOLIDAY POWERS: Transmission as Resistance in The Work of Zineb
Sedira
* 8: AKILA KIZZI: Indigenous Algerian Women Artists in The French
Landscape: Baya Mahieddine and Taos Amrouche
* Methods and Strategies to See Politics and Practices Differently
* 9: JESSICA GERSCHULTZ: Notes on Tending Feminist Methodologies
* 10: RACHEL NELSON: On Perpetual Conflict
* 11: CEREN ÖZPINAR: Claims to Fame: An Exhibition of Women Artists
from Turkey
* 12: MARY KELLY: Locating the First Sculptural Mark: An Artist
Interview with Diana Al-Hadid
* Index
* List of Figures
* Note on Contributors
* Acknowledgements
* Introduction
* Agency and Resistance to National and Global Discourses
* 1: NADINE ATALLAH: Have There Really Been No Great Women Artists?
Writing a Feminist Art History of Modern Egypt
* 2: CHARLOTTE BANK: Feminism and Social Critique in Syrian
Contemporary Art
* 3: TAL DEKEL: Hyphenated. Transnational Feminism in Contemporary
Israeli Art: Between Mizrahi and Arab Identities
* 4: LINA M. KATTAN: The Moment of Change: Thematic Strands of
Contemporary Saudi Women's Art
* Translating Ethnicity and Subjectivity into Art
* 5: SOMAYEH NOORI SHIRAZI: The Articulating-self Inside Out: Katayoun
Karami and Becoming a Woman
* 6: ISABELLE DE LE COURT: Squares of Colour: Abstraction in The Work
of Saloua Raouda Choucair and Etel Adnan
* 7: HOLIDAY POWERS: Transmission as Resistance in The Work of Zineb
Sedira
* 8: AKILA KIZZI: Indigenous Algerian Women Artists in The French
Landscape: Baya Mahieddine and Taos Amrouche
* Methods and Strategies to See Politics and Practices Differently
* 9: JESSICA GERSCHULTZ: Notes on Tending Feminist Methodologies
* 10: RACHEL NELSON: On Perpetual Conflict
* 11: CEREN ÖZPINAR: Claims to Fame: An Exhibition of Women Artists
from Turkey
* 12: MARY KELLY: Locating the First Sculptural Mark: An Artist
Interview with Diana Al-Hadid
* Index
* foreword,GRISELDA POLLOCK, NADIA RADWAN, MANDY MERZABAN
* List of Figures
* Note on Contributors
* Acknowledgements
* Introduction
* Agency and Resistance to National and Global Discourses
* 1: NADINE ATALLAH: Have There Really Been No Great Women Artists?
Writing a Feminist Art History of Modern Egypt
* 2: CHARLOTTE BANK: Feminism and Social Critique in Syrian
Contemporary Art
* 3: TAL DEKEL: Hyphenated. Transnational Feminism in Contemporary
Israeli Art: Between Mizrahi and Arab Identities
* 4: LINA M. KATTAN: The Moment of Change: Thematic Strands of
Contemporary Saudi Women's Art
* Translating Ethnicity and Subjectivity into Art
* 5: SOMAYEH NOORI SHIRAZI: The Articulating-self Inside Out: Katayoun
Karami and Becoming a Woman
* 6: ISABELLE DE LE COURT: Squares of Colour: Abstraction in The Work
of Saloua Raouda Choucair and Etel Adnan
* 7: HOLIDAY POWERS: Transmission as Resistance in The Work of Zineb
Sedira
* 8: AKILA KIZZI: Indigenous Algerian Women Artists in The French
Landscape: Baya Mahieddine and Taos Amrouche
* Methods and Strategies to See Politics and Practices Differently
* 9: JESSICA GERSCHULTZ: Notes on Tending Feminist Methodologies
* 10: RACHEL NELSON: On Perpetual Conflict
* 11: CEREN ÖZPINAR: Claims to Fame: An Exhibition of Women Artists
from Turkey
* 12: MARY KELLY: Locating the First Sculptural Mark: An Artist
Interview with Diana Al-Hadid
* Index
* List of Figures
* Note on Contributors
* Acknowledgements
* Introduction
* Agency and Resistance to National and Global Discourses
* 1: NADINE ATALLAH: Have There Really Been No Great Women Artists?
Writing a Feminist Art History of Modern Egypt
* 2: CHARLOTTE BANK: Feminism and Social Critique in Syrian
Contemporary Art
* 3: TAL DEKEL: Hyphenated. Transnational Feminism in Contemporary
Israeli Art: Between Mizrahi and Arab Identities
* 4: LINA M. KATTAN: The Moment of Change: Thematic Strands of
Contemporary Saudi Women's Art
* Translating Ethnicity and Subjectivity into Art
* 5: SOMAYEH NOORI SHIRAZI: The Articulating-self Inside Out: Katayoun
Karami and Becoming a Woman
* 6: ISABELLE DE LE COURT: Squares of Colour: Abstraction in The Work
of Saloua Raouda Choucair and Etel Adnan
* 7: HOLIDAY POWERS: Transmission as Resistance in The Work of Zineb
Sedira
* 8: AKILA KIZZI: Indigenous Algerian Women Artists in The French
Landscape: Baya Mahieddine and Taos Amrouche
* Methods and Strategies to See Politics and Practices Differently
* 9: JESSICA GERSCHULTZ: Notes on Tending Feminist Methodologies
* 10: RACHEL NELSON: On Perpetual Conflict
* 11: CEREN ÖZPINAR: Claims to Fame: An Exhibition of Women Artists
from Turkey
* 12: MARY KELLY: Locating the First Sculptural Mark: An Artist
Interview with Diana Al-Hadid
* Index