Andere Kunden interessierten sich auch für
![Sensorium: Embodied Experience, Technology, and Contemporary Art]( "Sensorium: Embodied Experience, Technology, and Contemporary Art")
Sensorium: Embodied Experience, Technology, and Contemporary Art38,99 €![Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art]( "Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art")
Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art58,99 €![Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art]( "Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art")
Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art38,99 €![Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s]( "Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s")
Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s25,99 €![High Art Lite: The Rise and Fall of Young British Art]( "High Art Lite: The Rise and Fall of Young British Art")
High Art Lite: The Rise and Fall of Young British Art23,99 €![Playing to the Gallery: Helping Contemporary Art in Its Struggle to Be Understood]( "Playing to the Gallery: Helping Contemporary Art in Its Struggle to Be Understood")
Playing to the Gallery: Helping Contemporary Art in Its Struggle to Be Understood21,99 €![Pop Surrealism: The Rise of Underground Art]( "Pop Surrealism: The Rise of Underground Art")
Pop Surrealism: The Rise of Underground Art33,99 €
An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London