This work offers a number of reasons why animation had been consigned to the margins of film history and criticism. It suggests a number of models and methodologies by which animation may be understood and provides a defence of the animated film as a significant art-form.
This work offers a number of reasons why animation had been consigned to the margins of film history and criticism. It suggests a number of models and methodologies by which animation may be understood and provides a defence of the animated film as a significant art-form.
Paul Wells is Subject Leader in Media Studies at De Montfort University in Leicester.
Inhaltsangabe
Introduction Chapter 1 Thinking about Animated Films Chapter 2 Notes Towards A Theory of Animation Chapter 3 Once Upon a Time: Chapter 4 25 Ways to Start Laughing Chapter 5 Issues in Representation Chapter 6 Animation and Audiences: 'My mother used to call me Thumper!'
Introduction Chapter 1 Thinking about Animated Films Chapter 2 Notes Towards A Theory of Animation Chapter 3 Once Upon a Time: Chapter 4 25 Ways to Start Laughing Chapter 5 Issues in Representation Chapter 6 Animation and Audiences: 'My mother used to call me Thumper!'
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