Great visual storytelling is possible on a minimal budget, but you have to spend a lot of energy thinking and planning. In Understanding Design in Film Production, Barbara Doyle demonstrates how to use production design, cinematography, lighting and locations to create an effective and compelling visual story, even on the tightest of budgets.
Great visual storytelling is possible on a minimal budget, but you have to spend a lot of energy thinking and planning. In Understanding Design in Film Production, Barbara Doyle demonstrates how to use production design, cinematography, lighting and locations to create an effective and compelling visual story, even on the tightest of budgets.
Barbara Freedman Doyle began her film career as the assistant to the Senior VP of Worldwide Production at Tri-Star Pictures. She continued to work her way up the freelance production ladder as a production coordinator and production supervisor on projects for CBS, NBC, Disney, TNT, Showtime, Hearst Entertainment, Hallmark, 20th Century Fox, Morgan Creek Productions, and Alcon Entertainment. She is the current Professor of Producing and heads the College to Career Program at Chapman University's Dodge College of Film and Media, and is a former Associate Dean of Production at the American Film Institute. She continues to consult on production for narrative and documentary film projects.
Inhaltsangabe
Introduction SECTION 1 Understanding Design In Film Chapter 1 What Is Your Movie About? Chapter 2 Some Components of Visual Design Chapter 3 The Vision and Collaboration SECTION 2 The Collaborators Chapter 4 Designing, Building, Painting Chapter 5 The Decorator Chapter 6 Locations Chapter 7 Lighting and Picture Chapter 8 Costumes and Props Chapter 9 Visual Effects and Animation Chapter 10 Why All This Talk About Authenticity? SECTION 3 Your Low Budget Film or TV Project Chapter 11 Putting All This Together Chapter 12 Planning Your Project: Building it, Finding it, or Both? Chapter 13 Shooting Your Film on Distant Location Chapter 14 Your Process Chapter 15 Practical Matters: Location Agreements, Permits, Insurance Chapter 16 How to Be Your Own Location Manager Chapter 17 What You Need to Do What You Want: Demystifying the Budget Chapter 18 Learning the Craft: Starting Out Chapter 19 Doing What You Want with What You Have: Student Films Chapter 20 Visual Storytelling in Making the Sale Chapter 21 Entering the Profession Chapter 22 Suggested Viewing
Introduction SECTION 1 Understanding Design In Film Chapter 1 What Is Your Movie About? Chapter 2 Some Components of Visual Design Chapter 3 The Vision and Collaboration SECTION 2 The Collaborators Chapter 4 Designing, Building, Painting Chapter 5 The Decorator Chapter 6 Locations Chapter 7 Lighting and Picture Chapter 8 Costumes and Props Chapter 9 Visual Effects and Animation Chapter 10 Why All This Talk About Authenticity? SECTION 3 Your Low Budget Film or TV Project Chapter 11 Putting All This Together Chapter 12 Planning Your Project: Building it, Finding it, or Both? Chapter 13 Shooting Your Film on Distant Location Chapter 14 Your Process Chapter 15 Practical Matters: Location Agreements, Permits, Insurance Chapter 16 How to Be Your Own Location Manager Chapter 17 What You Need to Do What You Want: Demystifying the Budget Chapter 18 Learning the Craft: Starting Out Chapter 19 Doing What You Want with What You Have: Student Films Chapter 20 Visual Storytelling in Making the Sale Chapter 21 Entering the Profession Chapter 22 Suggested Viewing
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