Understanding Graffiti
Multidisciplinary Studies from Prehistory to the Present
Herausgeber: Lovata, Troy R; Olton, Elizabeth
Understanding Graffiti
Multidisciplinary Studies from Prehistory to the Present
Herausgeber: Lovata, Troy R; Olton, Elizabeth
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This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts, and shows how they are interpreted in fields as diverse as archaeology, art history, museum studies, and sociology.
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This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts, and shows how they are interpreted in fields as diverse as archaeology, art history, museum studies, and sociology.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 30. September 2015
- Englisch
- Abmessung: 231mm x 155mm x 23mm
- Gewicht: 567g
- ISBN-13: 9781611328677
- ISBN-10: 1611328675
- Artikelnr.: 41789826
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 30. September 2015
- Englisch
- Abmessung: 231mm x 155mm x 23mm
- Gewicht: 567g
- ISBN-13: 9781611328677
- ISBN-10: 1611328675
- Artikelnr.: 41789826
Edited by Lovata, Troy R; Olton, Elizabeth
Introduction
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;
Introduction
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;