Understanding Graffiti
Multidisciplinary Studies from Prehistory to the Present
Herausgeber: Lovata, Troy R; Olton, Elizabeth
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Understanding Graffiti
Multidisciplinary Studies from Prehistory to the Present
Herausgeber: Lovata, Troy R; Olton, Elizabeth
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This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts, and shows how they are interpreted in fields as diverse as archaeology, art history, museum studies, and sociology.
This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts, and shows how they are interpreted in fields as diverse as archaeology, art history, museum studies, and sociology.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 30. September 2015
- Englisch
- Abmessung: 228mm x 151mm x 20mm
- Gewicht: 458g
- ISBN-13: 9781611328684
- ISBN-10: 1611328683
- Artikelnr.: 41793935
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 30. September 2015
- Englisch
- Abmessung: 228mm x 151mm x 20mm
- Gewicht: 458g
- ISBN-13: 9781611328684
- ISBN-10: 1611328683
- Artikelnr.: 41793935
Edited by Lovata, Troy R; Olton, Elizabeth
Introduction
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;
Introduction
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;
Elizabeth Olton
Troy Lovata; SectionI Understanding the Function of Graffiti; Chapter 1 On the Origins of Anonymous Texts That Appear on Walls
Amardo Rodriguez; Chapter 2 Latrinalia in a Room of One's Own: Language
Gender
and Place
Melissa R. Meade; Chapter 3 Beyond Art History: Graffiti on Frescoes
Véronique Plesch; Chapter 4 Writing with a Global Accent: Cairo and the Roots/Routes of Conflict Graffiti
John Lennon; sectionII Understanding the Form and Context of Graffiti; Chapter 5 Archaeology and Graffiti Carved in Carpathian Rock: The Thracian Horseman
or an Early Medieval Image of Power and Authority?
Drago? M?ndescu; Chapter 6 Marked Trees: Exploring the Context of Southern Rocky Mountain Arborglyphs
Troy Lovata; Chapter 7 Reclaiming the Ruins: A Case Study of Graffiti Heritage Interpretation at the Evergreen Brick Works in Toronto
Bruce Beaton
Shannon Todd; Chapter 8 Ornament as Armament: Playing Defense in Wildstyle Graffiti
Gabrielle Gopinath; Chapter 9 From the Street to the Gallery: A Critical Analysis of the Inseparable Nature of Graffiti and Context
Alexandra K. Duncan; sectionIII Understanding Graffiti as a witness to history; Chapter 10 Graffiti as Resistance: Early Prehistoric Examples from the Casma Valley of Peru
Shelia Pozorski
Thomas Pozorski; Chapter 11 A Sub-Rosa Narrative: Graffiti from Room 9
Structure 5D-65
in Tikal
Guatemala
Elizabeth Olton; Chapter 12 Inside the Tunnels
Inside the Protests: The Artistic Legacy of Anti-Nuclear Activists at a Nevada Peace Camp
Colleen M. Beck
Lauren W. Falvey
Harold Drollinger; sectionIV Understanding the politics of Graffiti; Chapter 13 Advertised Defiance: How New York City Graffiti Went from "Getting Up" to "Getting Over"
Tyson Mitman; Chapter 14 Historic Graffiti and Calliglyphs on Two Military Establishments in England
Christopher Daniell; Chapter 15 A Wall in Mexico City's Historic Center: Calle Regina 56
Pamela Scheinman;