Tim Summers is Teaching Fellow in Music at Royal Holloway, University of London and has previously taught music at the University of Oxford and the University of Bristol. As Centenary Research Scholar at Bristol, he wrote one of the first Ph.D.s on video game music. He is a co-founder of the UK Ludomusicology Research Group on video game music, and has written articles for journals including the Journal of the Royal Musical Association, the Journal of Film Music and Music, Sound and the Moving Image. He has edited both a collection of essays on video game music, Ludomusicology: Approaches to Video Game Music, and a special issue of The Soundtrack on game audio.
Inhaltsangabe
Foreword James Hannigan Introduction Part I. Analysing Video Game Music: 1. The video game as a source 2. Methods of analysis Part II. Critical Perspectives: 3. Texturing and the aesthetics of immersion 4. Music and virtual game worlds 5. Communication for play 6. Hollywood film music and game music 7. Musical play and video games Epilogue Appendix: how to hear a video game Bibliography.
Foreword James Hannigan Introduction Part I. Analysing Video Game Music: 1. The video game as a source 2. Methods of analysis Part II. Critical Perspectives: 3. Texturing and the aesthetics of immersion 4. Music and virtual game worlds 5. Communication for play 6. Hollywood film music and game music 7. Musical play and video games Epilogue Appendix: how to hear a video game Bibliography.
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