Using case studies drawn from contemporary popular cinema to reassess ideas about costume and fashion in cinema, Bruzzi explores how clothes are key elements in the construction of cinematic identities and proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
Using case studies drawn from contemporary popular cinema to reassess ideas about costume and fashion in cinema, Bruzzi explores how clothes are key elements in the construction of cinematic identities and proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
Stella Bruzzi is a lecturer in Film at Royal Holloway, University of London. She has published widely in the areas of cinema and cultural studies and is a regular contributor to Sight and Sound
Inhaltsangabe
Part 1 Dressing Up Chapter 1 Cinema and Haute Couture Chapter 2 Desire and the Costume Film Part 2 Gender Chapter 3 The Instabilities of the Franco-American Gangster Chapter 4 The Screen's Fashioning of Blackness Chapter 5 Clothes, Power and the Modern Femme Fatale Part 3 Beyond Gender Chapter 6 The Comedy of Cross-Dressing Chapter 7 The Erotic Strategies of Androgyny
Part 1 Dressing Up Chapter 1 Cinema and Haute Couture Chapter 2 Desire and the Costume Film Part 2 Gender Chapter 3 The Instabilities of the Franco-American Gangster Chapter 4 The Screen's Fashioning of Blackness Chapter 5 Clothes, Power and the Modern Femme Fatale Part 3 Beyond Gender Chapter 6 The Comedy of Cross-Dressing Chapter 7 The Erotic Strategies of Androgyny
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