This book introduces two major theoretical perspectives that have been consistently overlooked: the performance nature of confession, and the incorrect classification of confession as only a subset of autobiography. As this book demonstrates, confession is not always autobiographical but is always performative.
This book introduces two major theoretical perspectives that have been consistently overlooked: the performance nature of confession, and the incorrect classification of confession as only a subset of autobiography. As this book demonstrates, confession is not always autobiographical but is always performative.
Dr. Donald Gene Pace is a professor of history and Spanish at Claflin University. He holds two Ph.D.s, in Hispanic literature and history, and an M.A. in political science.
Inhaltsangabe
Part 1 Preface Part 2 Acknowledgments Part 3 Chapter One: Liberating a Captive Genre: Past Insights and New Perspectives Part 4 Chapter Two: Penitence, Persuasion and Power: A Performative Model of Confession Part 5 Chapter Three: Confession and Liberty: Cervantes La historia del cautivo Part 6 Chapter Four: Impious and Unbelieving Priests in the Spanish Confessional Tradition Part 7 Chapter Five: Es de Lope: The Drama of Confession and Fuente Ovejuna Part 8 Chapter Six: Confessing Incognito: Zorrilla's Traidor, inconfeso y mártir Part 9 Chapter Seven: Confessional Literature: Redefining a genre Part 10 Notes; Bibliography.
Part 1 Preface Part 2 Acknowledgments Part 3 Chapter One: Liberating a Captive Genre: Past Insights and New Perspectives Part 4 Chapter Two: Penitence, Persuasion and Power: A Performative Model of Confession Part 5 Chapter Three: Confession and Liberty: Cervantes La historia del cautivo Part 6 Chapter Four: Impious and Unbelieving Priests in the Spanish Confessional Tradition Part 7 Chapter Five: Es de Lope: The Drama of Confession and Fuente Ovejuna Part 8 Chapter Six: Confessing Incognito: Zorrilla's Traidor, inconfeso y mártir Part 9 Chapter Seven: Confessional Literature: Redefining a genre Part 10 Notes; Bibliography.
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