Unfinished Business is the first book to examine Italian mafia cinema of the past decade.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dana Renga is an associate professor of Italian at The Ohio State University. She is the author of Unfinished Business: Screening the Italian Mafia in the New Millennium (2013) and Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond (2019) and has published extensively on Italian cinema and television.
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Introduction: Gender, Trauma and Recent Italian Mafia Cinema Chapter 1: Oedipal Conflicts in Marco Tullio Giordana’s I cento passi Chapter 2: Honor, Shame and Vendetta: Pasquale Scimeca’s Placido Rizzotto Chapter 3: Mafia Woman in a Man’s World: Roberta Torre’s Angela Chapter 4: The Mafia Noir: Paolo Sorrentino’s Le conseguenze dell’amore Chapter 5: Men of Honor, Man of Glass: Stefano Incerti’s L’uomo di vetro Chapter 6: The Female Mob Boss: Edoardo Winspeare’s Galantuomini Chapter 7: Melancholia and the Mob Weepie: Davide Barletti and Lorenzo Conte’s Fine pena mai: paradiso perduto Chapter 8: Mourning Disavowed: Matteo Garrone’s Gomorra Chapter 9: Recasting Rita Atria in Marco Amenta’s La siciliana ribelle Chapter 10: Trauma Postponed: Claudio Cupellini’s Una vita tranquilla Epilogue: Why Must Caesar Die? Works Cited
Introduction: Gender, Trauma and Recent Italian Mafia Cinema Chapter 1: Oedipal Conflicts in Marco Tullio Giordana’s I cento passi Chapter 2: Honor, Shame and Vendetta: Pasquale Scimeca’s Placido Rizzotto Chapter 3: Mafia Woman in a Man’s World: Roberta Torre’s Angela Chapter 4: The Mafia Noir: Paolo Sorrentino’s Le conseguenze dell’amore Chapter 5: Men of Honor, Man of Glass: Stefano Incerti’s L’uomo di vetro Chapter 6: The Female Mob Boss: Edoardo Winspeare’s Galantuomini Chapter 7: Melancholia and the Mob Weepie: Davide Barletti and Lorenzo Conte’s Fine pena mai: paradiso perduto Chapter 8: Mourning Disavowed: Matteo Garrone’s Gomorra Chapter 9: Recasting Rita Atria in Marco Amenta’s La siciliana ribelle Chapter 10: Trauma Postponed: Claudio Cupellini’s Una vita tranquilla Epilogue: Why Must Caesar Die? Works Cited
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