Unfinished Music explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past.
Unfinished Music explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past.
Richard Kramer is the author of Distant Cycles: Schubert and the Conceiving of Song, awarded the Kinkeldey prize of the American Musicological Society and an ASCAP-Deems Taylor prize, and of many essays on the music of Carl Philipp Emanuel Bach, Beethoven, and Schubert. Kramer, who teaches at the Graduate Center of the City University of New York, is a fellow of the American Academy of Arts & Sciences.
Inhaltsangabe
Part I: First Things 1. Language and the Beginnings of Creation Part II: Emanuel Bach and the Allure of the Irrational 2. Carl Phillip Emanuel Bach and the Aesthetics of Patricide 3. The Ends of Veränderung 4. Late Works 5. Probestück 6. Diderot's Paraodxe and C.P.E. Bach's Empfindungen Part III: Between Enlightenment and Romance 7. Hayden's Chaos and Herder's Logos 8. Beethoven and the Romance of Creation Part IV: Beethoven: Confronting the Past 9. Cadenza Contra Text: Mozart in Beethoven's Hands 10. Opus 90: In Search of Emanuel Bach 11. Adagio espresivo: Opus 109 as Radical Dialectic 12. Lisch aus, mein Licht: Song, Fugue, and the Symptoms of a Late Style Part V: Fragments 13. Toward an Epistemology of a Fragment 14. Reliquie Part VI: Death Masks 15. Walter Benjamin and the Apprehending of Beauty List of Works Cited Index
Part I: First Things 1. Language and the Beginnings of Creation Part II: Emanuel Bach and the Allure of the Irrational 2. Carl Phillip Emanuel Bach and the Aesthetics of Patricide 3. The Ends of Veränderung 4. Late Works 5. Probestück 6. Diderot's Paraodxe and C.P.E. Bach's Empfindungen Part III: Between Enlightenment and Romance 7. Hayden's Chaos and Herder's Logos 8. Beethoven and the Romance of Creation Part IV: Beethoven: Confronting the Past 9. Cadenza Contra Text: Mozart in Beethoven's Hands 10. Opus 90: In Search of Emanuel Bach 11. Adagio espresivo: Opus 109 as Radical Dialectic 12. Lisch aus, mein Licht: Song, Fugue, and the Symptoms of a Late Style Part V: Fragments 13. Toward an Epistemology of a Fragment 14. Reliquie Part VI: Death Masks 15. Walter Benjamin and the Apprehending of Beauty List of Works Cited Index
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