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Unholy Heart is a collection of Grace Bauer’s best selected poems, marking her twenty-five years as an award-winning poet.
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Unholy Heart is a collection of Grace Bauer’s best selected poems, marking her twenty-five years as an award-winning poet.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Backwaters Press
- Seitenzahl: 192
- Erscheinungstermin: 1. März 2021
- Englisch
- Abmessung: 229mm x 152mm x 11mm
- Gewicht: 281g
- ISBN-13: 9781496225948
- ISBN-10: 1496225945
- Artikelnr.: 60982359
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Backwaters Press
- Seitenzahl: 192
- Erscheinungstermin: 1. März 2021
- Englisch
- Abmessung: 229mm x 152mm x 11mm
- Gewicht: 281g
- ISBN-13: 9781496225948
- ISBN-10: 1496225945
- Artikelnr.: 60982359
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Grace Bauer is the Aaron Douglas Emeritus Professor of English and Creative Writing at the University of Nebraska–Lincoln. She is the award-winning author of numerous books of poetry, including MEAN/TIME, The Women At the Well, Nowhere All at Once, Retreats and Recognitions, and Beholding Eye.
Acknowledgments
From The Women at the Well
Eve Recollecting the Garden
Noah’s Wife Addresses the Department of the Interior
Lot’s Daughters Bent on Revenge
Ruth: On Wandering. On Wonder.
Judith Dreaming of Her General
Mary Recalling Bethlehem
Anne: On the Darkness in Daughters
Salome: The Choreography of Guilt
The Prodigal Daughter’s Girl
Pilate’s Wife Welcoming Nightmare
Martha to Mary: The Quotidian Demands of the Flesh
Mary to Martha: The Theological Insignificance of Dust
Mary Magdalene’s Chapter and Verse
Mary: A Confession and Complaint
The Women at the Well
From Retreats & Recognitions
Note from the Imaginary Daughter
Norma Jean Dreams a Blonde Finale
A Little Like Dorothy
Retreat
Modern Clothing
Theadosia Comes to the New World
Plot Lines
Fat Tuesday
Second Lining at My Own Jazz Funeral
Star
Latter Day Saints
Extreme Unction
Midlife Heavy Metal
On Finding a Footnote to Truckin’
Broke Down Palace
Lunacy
Geography Lessons
From Beholding Eye
Portraits of the Rich
Large Bathers
Mrs. Eakins’s Final Touches
Frida Digresses on Red
Room in New York
Birthday
Georgia, at Ninety, Learns to Make a Vessel
The Eye of the Beholder
Descending Nude
Rrose Sélavy No Longer Sings La Vie en Rose
Marcel Meets Georgia at 291
Where You’ve Seen Her
Her Search for Great Causes
Her Great Escape
For Her Villain
She Has Days
From Nowhere All At Once
Nowhere All At Once
Sight/Seeing
Great Plains Prayer
Revenant
Against Lawn
The Bat
Gray Ghazal
Our Waitress’s Marvelous Legs
The Persistent Popularity of Angels
Two for The Bard and Bob Wood
Unrepentant Prayer
Off the Map
Still Life in Red
Flicker
Against Prayer
Corson’s Inlet
From MEAN/TIME
A Riff on the Glyph(s)
Conditional
MEAN/TIME
“Books Become Windows”
Still Life as Oxymoron
Torsos
The Wandering Dream
Momentous
Against Proof
Fret
Sad September Song
Dyslexical
Caw
Means of Transport
Dusting the Angel
Glimpse
New Poems
Fado
Terminal Grief
Sustenance
Provisions for the Journey
Prayer
Father, Faltering
Doldrums
Unspeakable Elegy
Mother, May I
Terminal Beauty
All My Dead Say Grace
Highway 2 Mirage
Not Quite Nirvana
Update on Emily
Notes
From The Women at the Well
Eve Recollecting the Garden
Noah’s Wife Addresses the Department of the Interior
Lot’s Daughters Bent on Revenge
Ruth: On Wandering. On Wonder.
Judith Dreaming of Her General
Mary Recalling Bethlehem
Anne: On the Darkness in Daughters
Salome: The Choreography of Guilt
The Prodigal Daughter’s Girl
Pilate’s Wife Welcoming Nightmare
Martha to Mary: The Quotidian Demands of the Flesh
Mary to Martha: The Theological Insignificance of Dust
Mary Magdalene’s Chapter and Verse
Mary: A Confession and Complaint
The Women at the Well
From Retreats & Recognitions
Note from the Imaginary Daughter
Norma Jean Dreams a Blonde Finale
A Little Like Dorothy
Retreat
Modern Clothing
Theadosia Comes to the New World
Plot Lines
Fat Tuesday
Second Lining at My Own Jazz Funeral
Star
Latter Day Saints
Extreme Unction
Midlife Heavy Metal
On Finding a Footnote to Truckin’
Broke Down Palace
Lunacy
Geography Lessons
From Beholding Eye
Portraits of the Rich
Large Bathers
Mrs. Eakins’s Final Touches
Frida Digresses on Red
Room in New York
Birthday
Georgia, at Ninety, Learns to Make a Vessel
The Eye of the Beholder
Descending Nude
Rrose Sélavy No Longer Sings La Vie en Rose
Marcel Meets Georgia at 291
Where You’ve Seen Her
Her Search for Great Causes
Her Great Escape
For Her Villain
She Has Days
From Nowhere All At Once
Nowhere All At Once
Sight/Seeing
Great Plains Prayer
Revenant
Against Lawn
The Bat
Gray Ghazal
Our Waitress’s Marvelous Legs
The Persistent Popularity of Angels
Two for The Bard and Bob Wood
Unrepentant Prayer
Off the Map
Still Life in Red
Flicker
Against Prayer
Corson’s Inlet
From MEAN/TIME
A Riff on the Glyph(s)
Conditional
MEAN/TIME
“Books Become Windows”
Still Life as Oxymoron
Torsos
The Wandering Dream
Momentous
Against Proof
Fret
Sad September Song
Dyslexical
Caw
Means of Transport
Dusting the Angel
Glimpse
New Poems
Fado
Terminal Grief
Sustenance
Provisions for the Journey
Prayer
Father, Faltering
Doldrums
Unspeakable Elegy
Mother, May I
Terminal Beauty
All My Dead Say Grace
Highway 2 Mirage
Not Quite Nirvana
Update on Emily
Notes
Acknowledgments
From The Women at the Well
Eve Recollecting the Garden
Noah’s Wife Addresses the Department of the Interior
Lot’s Daughters Bent on Revenge
Ruth: On Wandering. On Wonder.
Judith Dreaming of Her General
Mary Recalling Bethlehem
Anne: On the Darkness in Daughters
Salome: The Choreography of Guilt
The Prodigal Daughter’s Girl
Pilate’s Wife Welcoming Nightmare
Martha to Mary: The Quotidian Demands of the Flesh
Mary to Martha: The Theological Insignificance of Dust
Mary Magdalene’s Chapter and Verse
Mary: A Confession and Complaint
The Women at the Well
From Retreats & Recognitions
Note from the Imaginary Daughter
Norma Jean Dreams a Blonde Finale
A Little Like Dorothy
Retreat
Modern Clothing
Theadosia Comes to the New World
Plot Lines
Fat Tuesday
Second Lining at My Own Jazz Funeral
Star
Latter Day Saints
Extreme Unction
Midlife Heavy Metal
On Finding a Footnote to Truckin’
Broke Down Palace
Lunacy
Geography Lessons
From Beholding Eye
Portraits of the Rich
Large Bathers
Mrs. Eakins’s Final Touches
Frida Digresses on Red
Room in New York
Birthday
Georgia, at Ninety, Learns to Make a Vessel
The Eye of the Beholder
Descending Nude
Rrose Sélavy No Longer Sings La Vie en Rose
Marcel Meets Georgia at 291
Where You’ve Seen Her
Her Search for Great Causes
Her Great Escape
For Her Villain
She Has Days
From Nowhere All At Once
Nowhere All At Once
Sight/Seeing
Great Plains Prayer
Revenant
Against Lawn
The Bat
Gray Ghazal
Our Waitress’s Marvelous Legs
The Persistent Popularity of Angels
Two for The Bard and Bob Wood
Unrepentant Prayer
Off the Map
Still Life in Red
Flicker
Against Prayer
Corson’s Inlet
From MEAN/TIME
A Riff on the Glyph(s)
Conditional
MEAN/TIME
“Books Become Windows”
Still Life as Oxymoron
Torsos
The Wandering Dream
Momentous
Against Proof
Fret
Sad September Song
Dyslexical
Caw
Means of Transport
Dusting the Angel
Glimpse
New Poems
Fado
Terminal Grief
Sustenance
Provisions for the Journey
Prayer
Father, Faltering
Doldrums
Unspeakable Elegy
Mother, May I
Terminal Beauty
All My Dead Say Grace
Highway 2 Mirage
Not Quite Nirvana
Update on Emily
Notes
From The Women at the Well
Eve Recollecting the Garden
Noah’s Wife Addresses the Department of the Interior
Lot’s Daughters Bent on Revenge
Ruth: On Wandering. On Wonder.
Judith Dreaming of Her General
Mary Recalling Bethlehem
Anne: On the Darkness in Daughters
Salome: The Choreography of Guilt
The Prodigal Daughter’s Girl
Pilate’s Wife Welcoming Nightmare
Martha to Mary: The Quotidian Demands of the Flesh
Mary to Martha: The Theological Insignificance of Dust
Mary Magdalene’s Chapter and Verse
Mary: A Confession and Complaint
The Women at the Well
From Retreats & Recognitions
Note from the Imaginary Daughter
Norma Jean Dreams a Blonde Finale
A Little Like Dorothy
Retreat
Modern Clothing
Theadosia Comes to the New World
Plot Lines
Fat Tuesday
Second Lining at My Own Jazz Funeral
Star
Latter Day Saints
Extreme Unction
Midlife Heavy Metal
On Finding a Footnote to Truckin’
Broke Down Palace
Lunacy
Geography Lessons
From Beholding Eye
Portraits of the Rich
Large Bathers
Mrs. Eakins’s Final Touches
Frida Digresses on Red
Room in New York
Birthday
Georgia, at Ninety, Learns to Make a Vessel
The Eye of the Beholder
Descending Nude
Rrose Sélavy No Longer Sings La Vie en Rose
Marcel Meets Georgia at 291
Where You’ve Seen Her
Her Search for Great Causes
Her Great Escape
For Her Villain
She Has Days
From Nowhere All At Once
Nowhere All At Once
Sight/Seeing
Great Plains Prayer
Revenant
Against Lawn
The Bat
Gray Ghazal
Our Waitress’s Marvelous Legs
The Persistent Popularity of Angels
Two for The Bard and Bob Wood
Unrepentant Prayer
Off the Map
Still Life in Red
Flicker
Against Prayer
Corson’s Inlet
From MEAN/TIME
A Riff on the Glyph(s)
Conditional
MEAN/TIME
“Books Become Windows”
Still Life as Oxymoron
Torsos
The Wandering Dream
Momentous
Against Proof
Fret
Sad September Song
Dyslexical
Caw
Means of Transport
Dusting the Angel
Glimpse
New Poems
Fado
Terminal Grief
Sustenance
Provisions for the Journey
Prayer
Father, Faltering
Doldrums
Unspeakable Elegy
Mother, May I
Terminal Beauty
All My Dead Say Grace
Highway 2 Mirage
Not Quite Nirvana
Update on Emily
Notes