In Uniting Music and Poetry in Twentieth-Century Spain, Nelson R. Orringer enriches and deepens interpretations of twentieth-century sung poetry by comparing the original poet's vision to the composer's interpretation. Orringer uses both literary and musical analysis to reveal new understandings and appreciations of poems set to music.
In Uniting Music and Poetry in Twentieth-Century Spain, Nelson R. Orringer enriches and deepens interpretations of twentieth-century sung poetry by comparing the original poet's vision to the composer's interpretation. Orringer uses both literary and musical analysis to reveal new understandings and appreciations of poems set to music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: An Imperfectly Known Artistic Legacy Chapter 1: Falläs Four Youthful Experiments in Song Chapter 2: Glorifying Cordoba: Góngora and Falla Chapter 3: Joaquín Turinäs Musical Sevillanismo in Four Songs Chapter 4: Frederic Mompou s Art of Dreaming Music in Combat del somni [Dream Combat] Chapter 5: The Virginal Voice in Eduard Toldrà s Six Songs of Castilian Poetry Chapter 6: The Absent Dulcinea: Joaquín Rodrigo's Song to Music Itself Chapter 7: Creative Landscapes of Salamanca in Unamuno and Joaquín Rodrigo Chapter 8: Montsalvatge s Cinco canciones negras [Five Black Songs]: The Search for Freedom through Music Chapter 9: Rodolfo Halffter s Canciones sobre Marinero en tierra [Songs on Sailor on Shore] or Nostalgia for a Spain Left Behind Conclusions: Silver Age Song-Poems in the Era of Recapitulation
Introduction: An Imperfectly Known Artistic Legacy Chapter 1: Falläs Four Youthful Experiments in Song Chapter 2: Glorifying Cordoba: Góngora and Falla Chapter 3: Joaquín Turinäs Musical Sevillanismo in Four Songs Chapter 4: Frederic Mompou s Art of Dreaming Music in Combat del somni [Dream Combat] Chapter 5: The Virginal Voice in Eduard Toldrà s Six Songs of Castilian Poetry Chapter 6: The Absent Dulcinea: Joaquín Rodrigo's Song to Music Itself Chapter 7: Creative Landscapes of Salamanca in Unamuno and Joaquín Rodrigo Chapter 8: Montsalvatge s Cinco canciones negras [Five Black Songs]: The Search for Freedom through Music Chapter 9: Rodolfo Halffter s Canciones sobre Marinero en tierra [Songs on Sailor on Shore] or Nostalgia for a Spain Left Behind Conclusions: Silver Age Song-Poems in the Era of Recapitulation
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