Universe of the Mind addresses three main areas: meaning and text, culture, and history. The result is a full-scale attempt to demonstrate the workings of the semiotic space or intellectual world. Part One is concerned with the ways that texts generate meaning. Part Two addresses Lotman's central idea of the semiosphere -- the domain in which all semiotic systems can function -- presented through an analogy with the global biosphere. Part Three focuses on semiotics from the point of view of history. Yuri Mikhailovich Lotman is the founder of the Moscow-Tartu School and the initiator of the discipline of cultural semiotics.…mehr
Universe of the Mind addresses three main areas: meaning and text, culture, and history. The result is a full-scale attempt to demonstrate the workings of the semiotic space or intellectual world. Part One is concerned with the ways that texts generate meaning. Part Two addresses Lotman's central idea of the semiosphere -- the domain in which all semiotic systems can function -- presented through an analogy with the global biosphere. Part Three focuses on semiotics from the point of view of history.Yuri Mikhailovich Lotman is the founder of the Moscow-Tartu School and the initiator of the discipline of cultural semiotics.
Yuri Mikhailovich Lotman is the founder of the Moscow-Tartu School and the initiator of the discipline of cultural semiotics.
Inhaltsangabe
Introduction by Unberto Eco Preface Notes to Preface Part One: The Text as a Meaning-Generating Mechanism 1. Three Functions of the Text 2. Autocommunication: 'I' and 'Other' as Addressees 3. Rhetoric as a Mechanism for Meaning-Generation 4. Iconic Rhetoric 5. The Text as Process of Movement: Author to Audience, Author to Text 6. The Symbol as Plot-Gene 7. The Symbol in the Cultural System Notes to Part One Part Two: The Semiosphere 8. Semiotic Space 9. The Notion of Boundary 10. Dialogue Mechanisms 11. The Semiosphere and the Problem of Plot 12. Symbolic Spaces 1. Geographical Space in Russian Medieval Texts 2. The Journey of Ulysses in Dante's Divine Comedy 3. The 'Home' in Bulgakov's The Master and Margarita 4. The Symbolism of St. Petersburg 13. Some Conclusions Notes to Part Two Part Three: Cultural Memory, History, and Semiotics 14. The Problem of the Historical Fact 15. Historical Laws and the Structure of the Text 16. An Alternative: Culture Without Literacy or Culture Before Culture? 17. The Role of Typological Symbols in the History of Culture 18. Can There Be a Science of History and What Are Its Functions in the Cultural System? 19. Conclusion Notes to Part Three Index
Introduction by Unberto Eco Preface Notes to Preface Part One: The Text as a Meaning-Generating Mechanism 1. Three Functions of the Text 2. Autocommunication: 'I' and 'Other' as Addressees 3. Rhetoric as a Mechanism for Meaning-Generation 4. Iconic Rhetoric 5. The Text as Process of Movement: Author to Audience, Author to Text 6. The Symbol as Plot-Gene 7. The Symbol in the Cultural System Notes to Part One Part Two: The Semiosphere 8. Semiotic Space 9. The Notion of Boundary 10. Dialogue Mechanisms 11. The Semiosphere and the Problem of Plot 12. Symbolic Spaces 1. Geographical Space in Russian Medieval Texts 2. The Journey of Ulysses in Dante's Divine Comedy 3. The 'Home' in Bulgakov's The Master and Margarita 4. The Symbolism of St. Petersburg 13. Some Conclusions Notes to Part Two Part Three: Cultural Memory, History, and Semiotics 14. The Problem of the Historical Fact 15. Historical Laws and the Structure of the Text 16. An Alternative: Culture Without Literacy or Culture Before Culture? 17. The Role of Typological Symbols in the History of Culture 18. Can There Be a Science of History and What Are Its Functions in the Cultural System? 19. Conclusion Notes to Part Three Index
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