The Unorthodox Guitar is a comprehensive resource for experimentally minded guitarists and composers wishing to write for or perform on the instrument in new ways. The book focuses on unconventional approaches to the guitar, including alternative tunings, extended techniques, instrumental preparations, electronic augmentations, and issues pertaining to performing and recording with a computer.
The Unorthodox Guitar is a comprehensive resource for experimentally minded guitarists and composers wishing to write for or perform on the instrument in new ways. The book focuses on unconventional approaches to the guitar, including alternative tunings, extended techniques, instrumental preparations, electronic augmentations, and issues pertaining to performing and recording with a computer.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mike Frengel is an internationally recognized composer, performer, and music scholar. He currently serves on the faculty of the music departments at Northeastern University and Boston Conservatory, where he teaches courses in music technology and composition. He remains active as a composer and performer in a variety of genres, ranging from contemporary classical, electroacoustic, rock, and country music.
Inhaltsangabe
* Preface * Chapter One Instruments and Their Hardware * Chapter Two Contemporary Tuning Practices * Chapter Three Notation Basics * Chapter Four Performance Techniques: Attacking the Strings * Chapter Five Performance Techniques: The Left Hand and More * Chapter Six Instrumental Preparations * Chapter Seven Amps, Effects, and Signal Chains * Chapter Eight Computer based Processing and Instrumental Augmentation * Chapter Nine Performing and Recording with a Computer * Appendix I The E Standard Fretboard * Appendix II Bi tones in E standard tuning * Index
* Preface * Chapter One Instruments and Their Hardware * Chapter Two Contemporary Tuning Practices * Chapter Three Notation Basics * Chapter Four Performance Techniques: Attacking the Strings * Chapter Five Performance Techniques: The Left Hand and More * Chapter Six Instrumental Preparations * Chapter Seven Amps, Effects, and Signal Chains * Chapter Eight Computer based Processing and Instrumental Augmentation * Chapter Nine Performing and Recording with a Computer * Appendix I The E Standard Fretboard * Appendix II Bi tones in E standard tuning * Index
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