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This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry.

Produktbeschreibung
This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry.
Autorenporträt
James Fenwick is Senior Lecturer in the Department of Media Arts and Communication at Sheffield Hallam University, UK.