Alvin K. Wong examines queerness and queer cultural texts in Hong Kong, showing how Hong Kong cannot be reduced to historicist, colonial, and China-centric renderings of the city as merely a site of colonialism, Chinese rule, or global capital.
Alvin K. Wong examines queerness and queer cultural texts in Hong Kong, showing how Hong Kong cannot be reduced to historicist, colonial, and China-centric renderings of the city as merely a site of colonialism, Chinese rule, or global capital.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alvin K. Wong is Assistant Professor of Comparative Literature at the University of Hong Kong and coeditor of Keywords in Queer Sinophone Studies .
Inhaltsangabe
Acknowledgments ix Introduction. Queer Hong Kong across the Transpacific Sinophone 1 1. Queer Hong Kong as a Sinophone Method: An Archival Undoing 23 2. Postcoloniality Beyond China-Centrism: South-South Transnationalism and Queer Sinophone Localism in Hong Kong Cinema 41 3. Transnationalizing Transgender: Tracey, Queer Globalities, and Sinophone Regionalism 61 4. Queer Sinophone Intimacies: Visualizing Queer Migrant Domestic Workers 87 5. Trespassing the Sinophone Border: On Fruit Chan’s Prostitute Trilogy 115 Epilogue 135 Notes 145 Filmography 157 Bibliography 159 Index 171
Acknowledgments ix Introduction. Queer Hong Kong across the Transpacific Sinophone 1 1. Queer Hong Kong as a Sinophone Method: An Archival Undoing 23 2. Postcoloniality Beyond China-Centrism: South-South Transnationalism and Queer Sinophone Localism in Hong Kong Cinema 41 3. Transnationalizing Transgender: Tracey, Queer Globalities, and Sinophone Regionalism 61 4. Queer Sinophone Intimacies: Visualizing Queer Migrant Domestic Workers 87 5. Trespassing the Sinophone Border: On Fruit Chan’s Prostitute Trilogy 115 Epilogue 135 Notes 145 Filmography 157 Bibliography 159 Index 171
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