A study of how artists of diverse Asian heritages and generational backgrounds use their artwork to articulate complex notions of identity and identification as Asians living in the United States.
A study of how artists of diverse Asian heritages and generational backgrounds use their artwork to articulate complex notions of identity and identification as Asians living in the United States.
Margo Machida is Associate Professor of Art History and Asian American Studies at the University of Connecticut. She is a co-editor of Fresh Talk/Daring Gazes: Conversations on Asian American Art, winner of the Association of Asian American Studies’ 2005 Cultural Studies Book Award. Machida curated the groundbreaking 1994 Asia Society group exhibition ASIA/AMERICA: Identities in Contemporary Asian American Art. She is a co-founder of the Asian Contemporary Art Consortium and Godzilla: Asian American Art Network (1990–2001).
Inhaltsangabe
List of Illustrations ix Preface xiii Acknowledgments xix Introduction: Art, Asian America, and the Social Imaginary: A Poetics of Positionality 1 1. A Play of Positionalities: Reconsidering Identification 17 2. Othering: Primitivism, Orientalism, and Stereotyping 57 3. Trauma, Social Memory, and Art 120 4. Migration, Mixing, and Place 194 Epilogue: Toward an Ongoing Dialogue 271 Notes 283 Bibliography 321 Index 353
List of Illustrations ix Preface xiii Acknowledgments xix Introduction: Art, Asian America, and the Social Imaginary: A Poetics of Positionality 1 1. A Play of Positionalities: Reconsidering Identification 17 2. Othering: Primitivism, Orientalism, and Stereotyping 57 3. Trauma, Social Memory, and Art 120 4. Migration, Mixing, and Place 194 Epilogue: Toward an Ongoing Dialogue 271 Notes 283 Bibliography 321 Index 353
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