- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Untimely Epic offers a new interpretation of time in Apollonius Rhodius' Argonautica: rather than focusing predominantly on the structure of the narrative, it employs a range of theoretical concepts drawn from ancient and modern criticism to address how the poem shapes readers' experience of time and temporality.
Andere Kunden interessierten sich auch für
- Alastair MinnisMagister Amoris276,99 €
- Tony Harrison and the Classics119,99 €
- Francesca BrooksPoet of the Medieval Modern142,99 €
- Charles MartindaleLatin Poetry and the Judgement of Taste91,99 €
- Tristan KayDante's Lyric Redemption: Eros, Salvation, Vernacular Tradition167,99 €
- Jasmine Hunter EvansDavid Jones and Rome144,99 €
- Daniel SawyerReading English Verse in Manuscript C.1350-C.1500114,99 €
-
-
-
Untimely Epic offers a new interpretation of time in Apollonius Rhodius' Argonautica: rather than focusing predominantly on the structure of the narrative, it employs a range of theoretical concepts drawn from ancient and modern criticism to address how the poem shapes readers' experience of time and temporality.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 368
- Erscheinungstermin: 29. Juni 2020
- Englisch
- Abmessung: 236mm x 155mm x 28mm
- Gewicht: 658g
- ISBN-13: 9780198848561
- ISBN-10: 0198848560
- Artikelnr.: 58410523
- Verlag: Oxford University Press, USA
- Seitenzahl: 368
- Erscheinungstermin: 29. Juni 2020
- Englisch
- Abmessung: 236mm x 155mm x 28mm
- Gewicht: 658g
- ISBN-13: 9780198848561
- ISBN-10: 0198848560
- Artikelnr.: 58410523
Following graduate work at the University of Oxford, Tom Phillips was a Junior Research Fellow and then a Supernumerary Fellow at Merton College. He moved to the University of Manchester in September 2018 where he is currently Lecturer in Classical Literature. His research focuses on archaic and classical lyric, Hellenistic poetry, and ancient scholarly culture.
Introduction
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion
Introduction
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion