This original and historically rigorous study of war in Elizabethan drama and culture examines the era's emergent military science as played out in its theatres, where large audiences came to see war dramas throughout the late sixteenth century. Cahill also shows how the theatre registered the trauma produced by the new modes of warfare.
This original and historically rigorous study of war in Elizabethan drama and culture examines the era's emergent military science as played out in its theatres, where large audiences came to see war dramas throughout the late sixteenth century. Cahill also shows how the theatre registered the trauma produced by the new modes of warfare.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Patricia Cahill is an Associate Professor of English at Emory University who specializes in Shakespeare and in Renaissance drama and culture.
Inhaltsangabe
* Introduction * 1: Martial Formations: Marlowe's Theater of Abstraction in Tamburlaine, Parts 1 and 2 * 2: Spare Men and Great Ones: Musters, Norms, and the Average Man in Shakespeare's 1 and 2 Henry IV * 3: Biopower in the English Pale: Generation and Genocide in King Edward III * 4: Atrocity in Arcadia: Wounds, Women, and the Face of Trauma in The Trial of Chivalry * 5: Wound-Man Walking: Visceral History andTraumatized Bodies in Alarum for London * Epilogue: Dreadful Marches: Traumatic Time and Space in Shakespeare's Richard III
* Introduction * 1: Martial Formations: Marlowe's Theater of Abstraction in Tamburlaine, Parts 1 and 2 * 2: Spare Men and Great Ones: Musters, Norms, and the Average Man in Shakespeare's 1 and 2 Henry IV * 3: Biopower in the English Pale: Generation and Genocide in King Edward III * 4: Atrocity in Arcadia: Wounds, Women, and the Face of Trauma in The Trial of Chivalry * 5: Wound-Man Walking: Visceral History andTraumatized Bodies in Alarum for London * Epilogue: Dreadful Marches: Traumatic Time and Space in Shakespeare's Richard III
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