Upstate - A North American Journal - Hooker, Jeremy
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Upstate is the journal of poet and lecturer Jeremy Hooker's time spent in North America during the academic year 1994-5. Like his earlier 'Welsh Journal' (Seren, 2001), which covered his first sojourn in Wales in the 1970s, the book muses on his time as an Englishman in a foreign land - albeit a land with which he feels deep ties, both personal and literary. As the author says in his introduction: "Keeping a journal is a means of seeing in the dark, and the dark always advances." . . . "I have no interest in confession, although I am aware that my very selectivity - and every journal entry is…mehr

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Produktbeschreibung
Upstate is the journal of poet and lecturer Jeremy Hooker's time spent in North America during the academic year 1994-5. Like his earlier 'Welsh Journal' (Seren, 2001), which covered his first sojourn in Wales in the 1970s, the book muses on his time as an Englishman in a foreign land - albeit a land with which he feels deep ties, both personal and literary. As the author says in his introduction: "Keeping a journal is a means of seeing in the dark, and the dark always advances." . . . "I have no interest in confession, although I am aware that my very selectivity - and every journal entry is a selection from countless possible impressions - is a form of self-revelation. . . . The one thing a diarist must never do is perform for an audience, even if the audience is only himself or herself. At best, I have found my journal a means of escaping from self-consciousness, since it is not about the ego in isolation, but about relationships between the seer and the seen, between self and other. If it is about finding oneself, it is about finding oneself in the world, neither of which is separable from the other. It will be evident from the foregoing that I understand keeping a journal as analogous to writing poetry. It is not the same, but there are analogies. Each is about making a shape in words - a literary journal rarely consists of raw notations; its aim is to find the right word or image, to form the corresponding 'shape' for an impression or thought. In my case, too, the journal has sometimes served me as a 'quarry' of poetic materials, as well as a way of thinking about poetry." Jeremy Hooker was born in 1941 and is a poet, critic, teacher and broadcaster. The most recent of his elevel poetry collections was a Collected Poems, 'The Cut of the Light: Poems 1965-2005' (Enitharmon, 2006). He is Professor of English at the University of Glamorgan.
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Autorenporträt
Jeremy Hooker grew up in Warsash near Southampton and at Pennington, on the edge of the New Forest, and the landscapes of this region have remained an important source of inspiration. Many of his poems were written in Wales, where he has lived for long periods. His academic career has taken him to universities in England, the Netherlands, and the USA. He is now Emeritus Professor of the University of South Wales. As well as for the eleven collections of poetry represented in The Cut of the Light (Enitharmon, 2006), Jeremy is well known as a critic and has published selections of writings by Edward Thomas and Richard Jefferies, and studies of David Jones and John Cowper Powys, all of them important to his own creative life. Other critical works include Writers in a Landscape (University of Wales Press, 1996) and Imagining Wales (University of Wales Press, 2001); his features for BBC Radio 3 include A Map of David Jones. Jeremy's most recent books are Diary of a Stroke (Shearsman, 2016) and two new collection of poems, Scattered Light (Enitharmon, 2015) and Ancestral Lines (Shearsman, 2016). He is a Fellow of the Welsh Academy and a Fellow of the Learned Society of Wales.