This book invokes the relationship between nature and urban contexts as powerful storytellers through a timely contribution to the historical understanding of our mechanisms of production of narratives about nature, therefore breaking new ground for current and future research for locally situated and globally shared environmental concerns.
This book invokes the relationship between nature and urban contexts as powerful storytellers through a timely contribution to the historical understanding of our mechanisms of production of narratives about nature, therefore breaking new ground for current and future research for locally situated and globally shared environmental concerns.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Carlos Tabernero - Contributions by Carlos Tabernero; Carlos Acosta; Marco Armiero; Tim Boon; Santos Casado; Carlos Gámez-Pérez; Lisa Garforth; Jean-Baptiste Gouyon; Oliver Hochadel; Max Long; Ignasi Medà-Calvet and Marta Piñol-Lloret
Inhaltsangabe
Acknowledgments Introduction: Narrating Nature from the City Part I: Between Academia and Activism Chapter 1: Miquel Crusafont and Sabadell: Narratives about Paleontology (Spain, 1950 1973) Chapter 2: Environmentalism in Transition Part II: Between Knowledge and Entertainment Chapter 3: Wild at Heart: Zoological Gardens and the Urban Space Chapter 4: Mass Media and Urban Animals in History: The View from Interwar Britain Chapter 5: Teaching and Tinkering with Personal Computers in Catalan Rural Schools and Summer Camps (Spain, 1980s 1990s) Part III: Between Film and Literature Chapter 6: The Countryside in the Frame: Film Representations of Nature under Franco's Dictatorship Chapter 7: Hunting Narratives in Twentieth-Century Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974 1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributors
Acknowledgments Introduction: Narrating Nature from the City Part I: Between Academia and Activism Chapter 1: Miquel Crusafont and Sabadell: Narratives about Paleontology (Spain, 1950 1973) Chapter 2: Environmentalism in Transition Part II: Between Knowledge and Entertainment Chapter 3: Wild at Heart: Zoological Gardens and the Urban Space Chapter 4: Mass Media and Urban Animals in History: The View from Interwar Britain Chapter 5: Teaching and Tinkering with Personal Computers in Catalan Rural Schools and Summer Camps (Spain, 1980s 1990s) Part III: Between Film and Literature Chapter 6: The Countryside in the Frame: Film Representations of Nature under Franco's Dictatorship Chapter 7: Hunting Narratives in Twentieth-Century Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974 1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributors
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