Using Art for Social Transformation
International Perspective for Social Workers, Community Workers and Art Therapists
Herausgeber: Bos, Eltje; Huss, Ephrat
Using Art for Social Transformation
International Perspective for Social Workers, Community Workers and Art Therapists
Herausgeber: Bos, Eltje; Huss, Ephrat
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- Produkterinnerung
Social arts are manifold and are initiated by multiple actors, spaces, and direction from many directions and intentions, but generally aim to generate personal, familial, group, community or general social transformation which can maintain and enhance personal and community resilience, communication, negotiation and transitions.
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Social arts are manifold and are initiated by multiple actors, spaces, and direction from many directions and intentions, but generally aim to generate personal, familial, group, community or general social transformation which can maintain and enhance personal and community resilience, communication, negotiation and transitions.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 16. Dezember 2022
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 490g
- ISBN-13: 9780367615239
- ISBN-10: 0367615231
- Artikelnr.: 65615275
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 16. Dezember 2022
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 490g
- ISBN-13: 9780367615239
- ISBN-10: 0367615231
- Artikelnr.: 65615275
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Eltje Bos (PhD) is Professor Emerita of Cultural and Social Dynamics ¿at the University of Applied Sciences Amsterdam. Also trained as a drama teacher, she focused and focuses in her work on the use of arts and creativity in social work as well as on strategies of collaboration to increase personal empowerment and ¿livability in the city. Ephrat Huss (PhD) is Professor of Social Work and Art Therapy at Ben-Gurion ¿University of the Negev. She heads an innovative MA social work specialization ¿that integrates arts in social practice and has 40 students doing social arts ¿projects per year. She has a background in fine arts. Her areas of research ¿are the interface between arts and social practice and arts-based research: using arts ¿as a way of accessing the voices of marginalized populations. ¿
0.Introduction. 1.Social action art therapy. An Israel context. 2.Applied storytelling and picture talk as
a tool for system intervention, behavioural change and diminishing polarization. 3.Using arts as a contact method in group work with latency age Arab and
Jewish youth in Israel. 4.Art in society at a time of political and cultural
transformation: The Polish case. 5.Future IDs at Alcatraz: Transforming lives in immediate and necessary ways
. 6.Group bonding through cutting, gluing, and sewing together:
Using arts and crafts in social work with groups: "When members see what they have done with their own hands, this is a feeling no one can take away". 7.Interacting through art to re-empower prison inmates in constructing new self-appraisals. 8.Socia(B)le art: Towards culture for all. 9.Jamming through life:
Social complexity and the arts. 10.Social arts for recognition: Sociological perspectives on arts and youth identities. 11.Compassion embodied - the particular power of the arts. 12.The art studio as public health practice:
Mitigating the negative impacts of social inequality through community care. 13.MOMU: A multiprofessional response to a multifaceted reality. 14.Using reader's theater to
enhance reflexive social work practice, research, and education. 15.Harnessing structure and support in music-based activities. 16.Madrid, city of women: A project to empower the social participation of women in the city. 17.Oh, what a tangled web we weave!:
the transformative intentions of socially engaged art. 18.The art of making public: the politics of participation in participatory art practices. 19.Evaluating arts projects and programmes designed for social impacts: The need for
improved methods. 20.Human Rights Tattoo: a Zoom conversation between Sander van Bussel, Maria Kint, and Eltje Bos about the Human Rights Tattoo project. 21 December 2021
a tool for system intervention, behavioural change and diminishing polarization. 3.Using arts as a contact method in group work with latency age Arab and
Jewish youth in Israel. 4.Art in society at a time of political and cultural
transformation: The Polish case. 5.Future IDs at Alcatraz: Transforming lives in immediate and necessary ways
. 6.Group bonding through cutting, gluing, and sewing together:
Using arts and crafts in social work with groups: "When members see what they have done with their own hands, this is a feeling no one can take away". 7.Interacting through art to re-empower prison inmates in constructing new self-appraisals. 8.Socia(B)le art: Towards culture for all. 9.Jamming through life:
Social complexity and the arts. 10.Social arts for recognition: Sociological perspectives on arts and youth identities. 11.Compassion embodied - the particular power of the arts. 12.The art studio as public health practice:
Mitigating the negative impacts of social inequality through community care. 13.MOMU: A multiprofessional response to a multifaceted reality. 14.Using reader's theater to
enhance reflexive social work practice, research, and education. 15.Harnessing structure and support in music-based activities. 16.Madrid, city of women: A project to empower the social participation of women in the city. 17.Oh, what a tangled web we weave!:
the transformative intentions of socially engaged art. 18.The art of making public: the politics of participation in participatory art practices. 19.Evaluating arts projects and programmes designed for social impacts: The need for
improved methods. 20.Human Rights Tattoo: a Zoom conversation between Sander van Bussel, Maria Kint, and Eltje Bos about the Human Rights Tattoo project. 21 December 2021
0.Introduction. 1.Social action art therapy. An Israel context. 2.Applied storytelling and picture talk as
a tool for system intervention, behavioural change and diminishing polarization. 3.Using arts as a contact method in group work with latency age Arab and
Jewish youth in Israel. 4.Art in society at a time of political and cultural
transformation: The Polish case. 5.Future IDs at Alcatraz: Transforming lives in immediate and necessary ways
. 6.Group bonding through cutting, gluing, and sewing together:
Using arts and crafts in social work with groups: "When members see what they have done with their own hands, this is a feeling no one can take away". 7.Interacting through art to re-empower prison inmates in constructing new self-appraisals. 8.Socia(B)le art: Towards culture for all. 9.Jamming through life:
Social complexity and the arts. 10.Social arts for recognition: Sociological perspectives on arts and youth identities. 11.Compassion embodied - the particular power of the arts. 12.The art studio as public health practice:
Mitigating the negative impacts of social inequality through community care. 13.MOMU: A multiprofessional response to a multifaceted reality. 14.Using reader's theater to
enhance reflexive social work practice, research, and education. 15.Harnessing structure and support in music-based activities. 16.Madrid, city of women: A project to empower the social participation of women in the city. 17.Oh, what a tangled web we weave!:
the transformative intentions of socially engaged art. 18.The art of making public: the politics of participation in participatory art practices. 19.Evaluating arts projects and programmes designed for social impacts: The need for
improved methods. 20.Human Rights Tattoo: a Zoom conversation between Sander van Bussel, Maria Kint, and Eltje Bos about the Human Rights Tattoo project. 21 December 2021
a tool for system intervention, behavioural change and diminishing polarization. 3.Using arts as a contact method in group work with latency age Arab and
Jewish youth in Israel. 4.Art in society at a time of political and cultural
transformation: The Polish case. 5.Future IDs at Alcatraz: Transforming lives in immediate and necessary ways
. 6.Group bonding through cutting, gluing, and sewing together:
Using arts and crafts in social work with groups: "When members see what they have done with their own hands, this is a feeling no one can take away". 7.Interacting through art to re-empower prison inmates in constructing new self-appraisals. 8.Socia(B)le art: Towards culture for all. 9.Jamming through life:
Social complexity and the arts. 10.Social arts for recognition: Sociological perspectives on arts and youth identities. 11.Compassion embodied - the particular power of the arts. 12.The art studio as public health practice:
Mitigating the negative impacts of social inequality through community care. 13.MOMU: A multiprofessional response to a multifaceted reality. 14.Using reader's theater to
enhance reflexive social work practice, research, and education. 15.Harnessing structure and support in music-based activities. 16.Madrid, city of women: A project to empower the social participation of women in the city. 17.Oh, what a tangled web we weave!:
the transformative intentions of socially engaged art. 18.The art of making public: the politics of participation in participatory art practices. 19.Evaluating arts projects and programmes designed for social impacts: The need for
improved methods. 20.Human Rights Tattoo: a Zoom conversation between Sander van Bussel, Maria Kint, and Eltje Bos about the Human Rights Tattoo project. 21 December 2021