Using the Devil with Courtesy - Del Villano, Bianca
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Renaissance England was marked by a pervasive culture of courtesy. The research hypothesis of this book is that verbal courtesy, for historical and social reasons involving social mobility and the crisis produced by the clash between different systems of thought (Humanism, Catholicism, Protestantism, new scientific discourses), soon became strategic language, characterised by specific forms of facework detectable through the patterns of politeness and impoliteness employed by speakers.
Adopting a historical pragmatic perspective, Using the Devil with Courtesy semantically and conceptually…mehr

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Produktbeschreibung
Renaissance England was marked by a pervasive culture of courtesy. The research hypothesis of this book is that verbal courtesy, for historical and social reasons involving social mobility and the crisis produced by the clash between different systems of thought (Humanism, Catholicism, Protestantism, new scientific discourses), soon became strategic language, characterised by specific forms of facework detectable through the patterns of politeness and impoliteness employed by speakers.

Adopting a historical pragmatic perspective, Using the Devil with Courtesy semantically and conceptually connects courtesy and (im)politeness to analyse Renaissance forms of (im)politeness through Shakespeare. Drawing on a methodological line of research running from Goffman (1967) and Grice (1967), to Brown and Levinson (1987), Jucker (2010) and Culpeper (2011), the book focuses specifically on Hamlet (c. 1601) and The Taming of the Shrew (c. 1594) with three principal aims: 1) to survey the (im)polite strategies used by the characters; 2) to explore how this language connects to a specific Renaissance subjectivity; 3) to link language and subjectivity to extra-textual (historical and semiotic) factors.
Autorenporträt
Bianca Del Villano is a Lecturer in English Linguistics at the University of Naples'L'Orientale'. She holds a PhD in English Literature from the University of Turin and a PhD in English Linguistics from the University of Rome Tor Vergata. Her research interests span pragmatics, stylistics, and literary linguistics in general. She is currently working on (im)politeness in early modern English drama and on contemporary English language fiction. Her publications include the monograph Lo specchio e l'ossimoro. La messinscena dell'interiorità nel teatro di Shakespeare (Pacini 2012).