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The name of this book has given an adjective to our language -- we call an impracticable scheme Utopian. Yet, under the veil of a playful fiction, the talk is intensely earnest and abounds in practical suggestion. It is the work of a scholarly and witty Englishman, who attacks in his own way the chief political and social evils of his time. . . . Designedly fantastic in suggestion of details, Utopia is the work of a scholar who had read Plato's Republic and had his fancy quickened after reading Plutarch's account of Spartan life under Lycurgus. Beneath the veil of an ideal communism, into…mehr

Produktbeschreibung
The name of this book has given an adjective to our language -- we call an impracticable scheme Utopian. Yet, under the veil of a playful fiction, the talk is intensely earnest and abounds in practical suggestion. It is the work of a scholarly and witty Englishman, who attacks in his own way the chief political and social evils of his time. . . . Designedly fantastic in suggestion of details, Utopia is the work of a scholar who had read Plato's Republic and had his fancy quickened after reading Plutarch's account of Spartan life under Lycurgus. Beneath the veil of an ideal communism, into which there has been worked some witty extravagance, there lies a noble English argument. -- from Henry Morley's Introduction The novel was first published in 1516 in Latin.
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Autorenporträt
Sir Thomas More (1478 - 1535), venerated by Roman Catholics as Saint Thomas More, was an English lawyer, social philosopher, author, statesman and noted Renaissance humanist. He was also a counselor to Henry VIII and Lord High Chancellor of England from October 1529 to 16 May 1532. Now best remembered for the lyrics of "The Minstrel Boy" and "The Last Rose of Summer". He was responsible, with John Murray, for burning Lord Byron's memoirs after his death. In his lifetime he was often referred to as Anacreon Moore. As a poet, translator, balladeer and singer Moore found fame. His work soon became immensely popular. But Moore was far more than a balladeer. He had major success as a society figure in London, meeting the Prince of Wales on several occasions and enjoying in particular the patronage of the Irish aristocrat Lord Moira.