Filling in a blank spot in the history of twentieth-century women's writing, Carole Sweeney examines the work of five experimental writers, whose writing has been neglected in accounts of the development of post-1945 British literature.
Filling in a blank spot in the history of twentieth-century women's writing, Carole Sweeney examines the work of five experimental writers, whose writing has been neglected in accounts of the development of post-1945 British literature.
Carole Sweeney is Reader in Modern Literature at Goldsmiths, Department of English, University of London. She has published extensively on modernism and race, interwar primitivism and on the contemporary novel. She is the author of Fetish to Subject: From Fetish to Subject: Race, Modernism, and Primitivism, 1919-1935 (Praeger, 2004) and Michel Houellebecq and the Literature of Despair (Bloomsbury, 2013).
Inhaltsangabe
Acknowledgements Permissions Introduction: Angels and Tyrants 1. Critical Terrains 2. Anna Kavan: Glass Girls 3. Brigid Brophy: a 'comet in her day' 4. Christine Brooke-Rose: 'un écrivain [sic] dite éxperimentale' 5. Eva Figes: 'There must be freedom to experiment' 6. Ann Quin: Forms forming themselves Afterword Bibliography Index
Acknowledgements Permissions Introduction: Angels and Tyrants 1. Critical Terrains 2. Anna Kavan: Glass Girls 3. Brigid Brophy: a 'comet in her day' 4. Christine Brooke-Rose: 'un écrivain [sic] dite éxperimentale' 5. Eva Figes: 'There must be freedom to experiment' 6. Ann Quin: Forms forming themselves Afterword Bibliography Index
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