This book explores how the Italian commedia dell'arte has profoundly affected the Russian artistic imagination for over three hundred years, providing a source of inspiration for leading artists as diverse as Nikolai Gogol, Evgenii Vakhtangov, Vladimir Nabokov and the pop star Alla Pugacheva.
This book explores how the Italian commedia dell'arte has profoundly affected the Russian artistic imagination for over three hundred years, providing a source of inspiration for leading artists as diverse as Nikolai Gogol, Evgenii Vakhtangov, Vladimir Nabokov and the pop star Alla Pugacheva.
Olga Partan is Assistant Professor of Russian at the College of the Holy Cross, Worcester, Massachusetts. She received her PhD with a dissertation on the commedia dell'arte in Russian culture from Brown University in 2004. She has authored several articles and book chapters on Russian literature and the performing arts, and a Russian-language memoir You were right, Filumena! (Moscow: PROZAiK, 2012).
Inhaltsangabe
List of Illustrations Acknowledgments A Note on Transliteration Introduction Chapter 1: Early Harlequinized Art Chapter 2: Anna Ioannovna's Italian Decade Chapter 3: Russifying the Commedia dell'Arte: Vasilii Trediakovsky and Aleksandr Sumarokov Chapter 4: Ramifications of the Italian Decade Chapter 5: Nikolai Gogol's The Overcoat: The Italian Ancestry of Akakii Bashmachkin Chapter 6: The Modernist Revival of the Commedia dell'Arte Chapter 7: The Commedia dell'Arte in Evgenii Vakhtangov's Princess Turandot Chapter 8: Harlequin and His Lath: Vladimir Nabokov's Last Novel Look at the Harlequins! Chapter 9: From the Empress Anna Ioannovna to the Empress of Popular Culture, Alla Pugacheva Epilogue: The Italian Arlecchino on the Post-Soviet Stage
List of Illustrations Acknowledgments A Note on Transliteration Introduction Chapter 1: Early Harlequinized Art Chapter 2: Anna Ioannovna's Italian Decade Chapter 3: Russifying the Commedia dell'Arte: Vasilii Trediakovsky and Aleksandr Sumarokov Chapter 4: Ramifications of the Italian Decade Chapter 5: Nikolai Gogol's The Overcoat: The Italian Ancestry of Akakii Bashmachkin Chapter 6: The Modernist Revival of the Commedia dell'Arte Chapter 7: The Commedia dell'Arte in Evgenii Vakhtangov's Princess Turandot Chapter 8: Harlequin and His Lath: Vladimir Nabokov's Last Novel Look at the Harlequins! Chapter 9: From the Empress Anna Ioannovna to the Empress of Popular Culture, Alla Pugacheva Epilogue: The Italian Arlecchino on the Post-Soviet Stage
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