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Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975

Produktbeschreibung
Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975
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Autorenporträt
Michael Guarneri has a PhD in Film Studies from Northumbria University (Newcastle upon Tyne). He freelances as a film critic.