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Since the eighteenth century, many if not most ancient and medieval manuscripts or other text-bearing or associated objects have been procured through imperial expropriation or through the antiquities market with little or no evidence of findspot or place of original deposition and with no assurance of legal provenance or authenticity. The consequences of these questionable acquisition practices for scholarship and for our understanding of the past are the focus of much enquiry.Recent high-profile acquisitions (and subsequent returns) of text-bearing objects by prominent private collectors and…mehr

Produktbeschreibung
Since the eighteenth century, many if not most ancient and medieval manuscripts or other text-bearing or associated objects have been procured through imperial expropriation or through the antiquities market with little or no evidence of findspot or place of original deposition and with no assurance of legal provenance or authenticity. The consequences of these questionable acquisition practices for scholarship and for our understanding of the past are the focus of much enquiry.Recent high-profile acquisitions (and subsequent returns) of text-bearing objects by prominent private collectors and museums and the appearance on the market of demonstrably modern forgeries have resulted in increased scrutiny of the intellectual and commercial impacts of academic engagement. Scholarly research can abet the antiquities market directly or indirectly through identification, authentication and legitimation of illegally traded text-bearing objects.These harmful complications of well-established academic practice raise important questions about how and even if the academy should engage with ancient texts and text-bearing objects of uncertain provenance. Through a wide-ranging set of case studies, Variant Scholarship focuses on the methodological, theoretical, and ethical dilemmas facing scholars when working with ancient texts in modern contexts.This book is intended for those interested in the historical practices of research into ancient manuscripts, ethical quandaries in studying unprovenanced textual materials, and the unintended consequences of scholarly interactions with problematic text-bearing objects.ContentsVariant scholarship: ancient texts in modern contextsNeil Brodie, Morag M. Kersel, and Josephine Munch RasmussenDisciplinary pitfalls: how good philology can mask bad provenanceNils H. KorsvollThe provenance of the Dead Sea Scrolls: five examplesÅrstein JustnesPerforming papyrology: cartonnage, discovery and provenanceRoberta MazzaThe Ilves Collection: a Finnish manuscript collector and the academic facilitatorsRick BonnieNoxious scholarship? The study and publication of First Sealand Dynasty cuneiform tabletsNeil BrodieConsuming PalmyraMichael PressEthical guidelines for publishing ancient textsPatty GerstenblithThe trouble with textsMorag M. KerselThe value of forgeries for historical researchChrista Wirth and Josephine M. RasmussenSomeone else's manuscripts: the ethics of textual scholarshipLiv Ingeborg LiedBetween representation and the real: the forgeries of Constantine SimonidesRachel Yuen-CollingridgeProvenance: genocide. The transfer of Armenian sacred objects to art collectionsHeghnar Zeitlian WatenpaughDigitizing manuscripts and the politics of extractionRaha Rafii
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Autorenporträt
Neil Brodie was a Research Associate on the Endangered Archaeology in the Middle East and North Africa project at the University of Oxford. He has published widely on issues concerning the market in cultural objects, with more than fifty papers and book chapters devoted to the subject.

Morag M. Kersel is Associate Professor of Anthropology at DePaul University. In addition to participating in archaeological excavations and surveys in Israel, Jordan, and Palestine, she is interested in the relationship between cultural heritage law, archaeological sites and objects, and local interaction. She also works on the public display and interpretation of archaeological artifacts in institutional spaces. She has published a number of articles and is the co-author (with Christina Luke) of U.S. Cultural Diplomacy and Archaeology: Soft Power, Hard Heritage (2013) and co-editor (with M.T. Rutz) of Archaeologies of Text: Archaeology, Technology, and Ethics (2014).