Taking a revisionist perspective, this book places and explores Vaughan Williams's life and music in their broad musical, cultural, social, and political contexts, and reassesses their significance. Drawing on new research and archival materials, it is an up-to-date resource for students and scholars of twentieth-century British music and culture.
Taking a revisionist perspective, this book places and explores Vaughan Williams's life and music in their broad musical, cultural, social, and political contexts, and reassesses their significance. Drawing on new research and archival materials, it is an up-to-date resource for students and scholars of twentieth-century British music and culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Ceri Owen and Julian Onderdonk Part I. Biography, People, Places: 1. London and the modern City Alain Frogley 2. Personality David Manning 3. Correspondents Hugh Cobbe 4. Women Erica Siegel 5. Friends outside music Roger Savage 6.Cambridge Karen Arrandale Part II. Inspiration and Expression: 7. Early development Jeremy Dibble 8. Romanticism Benedict Taylor 9. Amateur music and musicians Julian Onderdonk 10. Performance Jonathan Clinch 11. Modalities of landscape Daniel M. Grimley Part III. Culture and Society: 12. Politics J. P. E. Harper-Scott 13. Liberalism and landscape Sarah Collins 14. The English folk revival Georgina Boyes 15. Christian socialism and the English hymnal Katie Palmer Heathman 16. Pageantry Alexander Hutton and Paul Readman 17. History and the spirit of revivalism Deborah Heckert 18. War Eric Saylor Part IV. Arts: 19. Literature Matthew Ingleby and Ceri Owen 20. Visual art Tim Barringer 21. Theatre, 1895-1914 Roger Savage 22. Dance Rishona Zimring 23. Film Peter Franklin Part V. Institutions: 24. 'Wanting' the home-grown composer: opportunities and encouragement after the First World War David C. H. Wright 25. Concert life and programming Simon McVeigh 26. The arts council and evolving public policy Andrew Pinnock and Julian Onderdonk 27. The Second World War: a national figure Heather Wiebe 28. Working with the BBC Duncan Hinnells Part VI. Reception: 29. Reception outside England, 1901-1914 Allan W. Atlas 30. Interwar continental reception Aidan J. Thomson 31. Early recordings Ryan Ross 32. Reception in the USA: a special relationship Alain Frogley.
Introduction Ceri Owen and Julian Onderdonk Part I. Biography, People, Places: 1. London and the modern City Alain Frogley 2. Personality David Manning 3. Correspondents Hugh Cobbe 4. Women Erica Siegel 5. Friends outside music Roger Savage 6.Cambridge Karen Arrandale Part II. Inspiration and Expression: 7. Early development Jeremy Dibble 8. Romanticism Benedict Taylor 9. Amateur music and musicians Julian Onderdonk 10. Performance Jonathan Clinch 11. Modalities of landscape Daniel M. Grimley Part III. Culture and Society: 12. Politics J. P. E. Harper-Scott 13. Liberalism and landscape Sarah Collins 14. The English folk revival Georgina Boyes 15. Christian socialism and the English hymnal Katie Palmer Heathman 16. Pageantry Alexander Hutton and Paul Readman 17. History and the spirit of revivalism Deborah Heckert 18. War Eric Saylor Part IV. Arts: 19. Literature Matthew Ingleby and Ceri Owen 20. Visual art Tim Barringer 21. Theatre, 1895-1914 Roger Savage 22. Dance Rishona Zimring 23. Film Peter Franklin Part V. Institutions: 24. 'Wanting' the home-grown composer: opportunities and encouragement after the First World War David C. H. Wright 25. Concert life and programming Simon McVeigh 26. The arts council and evolving public policy Andrew Pinnock and Julian Onderdonk 27. The Second World War: a national figure Heather Wiebe 28. Working with the BBC Duncan Hinnells Part VI. Reception: 29. Reception outside England, 1901-1914 Allan W. Atlas 30. Interwar continental reception Aidan J. Thomson 31. Early recordings Ryan Ross 32. Reception in the USA: a special relationship Alain Frogley.
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