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This study, the first of its kind on a work of Vaughan Williams, traces the genesis of the composer's enigmatic final symphony as documented in the surviving manuscripts. The latter reveal an underlying program based on Hardy's Tess of the D'Urbervilles, and chart the composer's struggle to find the technical means by which to realize his most complex spiritual vision.

Produktbeschreibung
This study, the first of its kind on a work of Vaughan Williams, traces the genesis of the composer's enigmatic final symphony as documented in the surviving manuscripts. The latter reveal an underlying program based on Hardy's Tess of the D'Urbervilles, and chart the composer's struggle to find the technical means by which to realize his most complex spiritual vision.
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Autorenporträt
Lecturer in Music, Magdalen College, Oxford, 1989 Lecturer in Music, Lancaster University, 1989-94 Associate Professor of Music at University of Connecticut, Storrs, since 1994