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High Quality Content by WIKIPEDIA articles! The tone accent of Vedic Sanskrit, or Vedic accent for brevity, is traditionally divided by Sanskrit grammarians into three qualities, ud tta "raised" (acute accent, high pitch), anud tta "not raised" (grave accent, low pitch) and svarita "sounded" (circumflex, falling pitch).Ud tta marks the place of the inherited PIE accent. In transliteration, therefore, ud tta is usually marked with an acute accent, and anud tta and svarita are unmarked since their positions follow automatically from the position of ud tta. For example, in the first pada of the Rigveda.…mehr

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High Quality Content by WIKIPEDIA articles! The tone accent of Vedic Sanskrit, or Vedic accent for brevity, is traditionally divided by Sanskrit grammarians into three qualities, ud tta "raised" (acute accent, high pitch), anud tta "not raised" (grave accent, low pitch) and svarita "sounded" (circumflex, falling pitch).Ud tta marks the place of the inherited PIE accent. In transliteration, therefore, ud tta is usually marked with an acute accent, and anud tta and svarita are unmarked since their positions follow automatically from the position of ud tta. For example, in the first pada of the Rigveda.