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This book looks at the life and music of Veena Dhanammal (1866a "1938), considered the embodiment of a ~classicisma (TM) in Karnatik music. It locates her art within the cultural, social and intellectual milieu she inhabited, allowing readers to track the changing musical landscape of southern India, as a process of urbanisation a " beginning in the late nineteenth century a " resulted in Karnatik musica (TM)s movement from a ritual and courtly location to a modern, secular form of entertainment in the city space.