Vendetta - Corelli, Marie
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute…mehr

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Produktbeschreibung
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Autorenporträt
As the most widely read English novelist of her time, Marie Corelli outsold Arthur Conan Doyle, Rudyard Kipling and H.G. Wells. Her works were beloved by Queen Victoria, and she published 25 novels in 29 years. Although she wrote with the last name Corelli, she was born Mary Mackay and spoke no Italian, but often pretended to do so. An ardent preservationist, she donated funds to help restore and maintain the 17th century buildings that have come to define the town of Stratford-upon-Avon. She often flouted society's expectations and lived with a beloved female companion to whom she left her entire estate upon her death. Today her works are largely ignored by scholars, but they nonetheless continue to delight the scrupulous reader who finds them.