Gundula Kreuzer

Verdi and the Germans

From Unification to the Third Reich

• Broschiertes Buch

Produktbeschreibung

This seminal study of Giuseppe Verdi's German-language reception provides important new perspectives on German musical culture and nationalism from the mid-nineteenth century onwards. Kreuzer argues that the concept of Germany's musical supremacy, so dear to its nationalist cause, was continually challenged by the popularity of Italian opera, a genre increasingly epitomised by Verdi. The book traces the many facets of this Italian-German opposition in the context of intense historical developments from German unification in 1871 to the end of World War II and beyond. Drawing on an exceptionally broad range of sources, Kreuzer explores the construction of visual and biographical images of Verdi; the marketing, interpretation and adaptation of individual works; regional, social and religious undercurrents in German musical life; and overt political appropriations. Suppressed, manipulated and, not least, guiltily enjoyed, Verdi emerges as a powerful influence on German intellectuals' ideas about their collective identity and Germany's paradigmatic musical Other.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 384
• Erscheinungstermin: 7. Januar 2014
• Englisch
• Abmessung: 244mm x 170mm x 21mm
• Gewicht: 661g
• ISBN-13: 9781107638402
• ISBN-10: 1107638402
• Artikelnr.: 40950484

Autorenporträt

Gundula Kreuzer is Assistant Professor of Music at Yale University. Her work on Verdi's music and reception, the marketing of opera and the theory and history of staging has appeared in various journals and collected volumes, including the Cambridge Opera Journal and the Journal of the American Musicological Society, and has earned her the Alfred Einstein Award of the American Musicological Society as well as the Jerome Roche Prize of the Royal Musical Association. She is editor of The Works of Giuseppe Verdi, Series V: Instrumental Chamber Music (2009) and has been serving as Reviews and Associate Editor for The Opera Quarterly.

Inhaltsangabe

Preface
1. Introduction: Italian opera and German historiography
2. Verdi's Requiem and the anxious young Kaiserreich
3. Maestro to Meister: Verdi purified
4. The 'Verdi renaissance'
5. Verdi in the Third Reich
6. Epilogue: post-war Verdi
Appendix 1. Verdi's Requiem in German-language countries, 1875-1901
Appendix 2. Successful Verdi revivals in German-language theatres, 1901-51
Select bibliography.

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Preface; 1. Introduction: Italian opera and German historiography; 2. Verdi's Requiem and the anxious young Kaiserreich; 3. Maestro to Meister: Verdi purified; 4. The 'Verdi renaissance'; 5. Verdi in the Third Reich; 6. Epilogue: post-war Verdi; Appendix 1. Verdi's Requiem in German-language countries, 1875-1901; Appendix 2. Successful Verdi revivals in German-language theatres, 1901-51; Select bibliography.

Rezensionen

'Verdi and the Germans boldly explores new directions in the study of nationalism and music. Instead of focusing on the 'German-ness' of German composers, as has been done thus far, it looks at how Germans reacted to the most prominent non-German composer of the nineteenth century, Giuseppe Verdi. This long and fascinating story, told by Gundula Kreuzer with immense erudition and sharp insight, is well worth reading not only for musicologists, but also for cultural and social historians, as well as anybody interested in the tentacular hold of nationalism over minds, hearts and ears.' Emanuele Senici, University of Rome