On almost every page of Vermeer's Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art. Perhaps the most arresting revelation of Vermeer's Family Secrets is the final one: In response to inconsistencies in technique, materials, and artistic level, Binstock posits that several of the paintings accepted as canonical works by Vermeer, are in fact not by Vermeer at all but by his eldest daughter, Maria. How he argues this is one of the book's many pleasures.
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"Binstock resembles the detective Hercule Poirot in his methodical disentangling of the historical Vermeer from the accretion of too generous attributions and from the multiplicity of critical views, all directed to the uncovering of the artist whose autobiographical immersion in Delft, in home, and in family so fully constituted his art."-Richard Brilliant, Columbia University, author of Portraiture and My Laocoön: Alternative Claims in the Interpretation of Artworks
"Impassioned and fascinating, this novel account of the intimate links between Vermeer's art and life bristles with intelligence. It offers not only sympathetic and imaginative readings of the paintings, but questions some basic assumptions in art history. Anyone interested in Vermeer will be struck by Binstock's audacity, erudition, and deep love of art."-Martha Hollander, Hofstra University, author of An Entrance for the Eyes: Space and Meaning in Seventeenth-Century Dutch Art
"Vermeer's Family Secrets is a highly original and searching account of one of the most elusive of painters. Written with delightful verve, visual subtlety, and the courage to upend the platitudes and received wisdom of certain forms of art history, Binstock's book promises a revolution in the study of Vermeer, his circule, and his milieu."-Jonathan Gilmore, Yale University, author of The Life of a Style: Beginnings and Endings in the Narrative of Art History
"This book offers strong, informed opinions, bold claims, and precise chronology about one of art history's favorite painters. While Binstock's forceful arguments are sure to be controversial, they will inevitably provoke fresh scholarly discussion and rekindle close examination of Vermeer's luminous pictures (and those of Carel Fabritius)."-Larry Silver, University of Pennsylvania, author of Hieronymus Bosch and Rembrandt's Faith (co-authored with Shelley Perlove)
"Impassioned and fascinating, this novel account of the intimate links between Vermeer's art and life bristles with intelligence. It offers not only sympathetic and imaginative readings of the paintings, but questions some basic assumptions in art history. Anyone interested in Vermeer will be struck by Binstock's audacity, erudition, and deep love of art."-Martha Hollander, Hofstra University, author of An Entrance for the Eyes: Space and Meaning in Seventeenth-Century Dutch Art
"Vermeer's Family Secrets is a highly original and searching account of one of the most elusive of painters. Written with delightful verve, visual subtlety, and the courage to upend the platitudes and received wisdom of certain forms of art history, Binstock's book promises a revolution in the study of Vermeer, his circule, and his milieu."-Jonathan Gilmore, Yale University, author of The Life of a Style: Beginnings and Endings in the Narrative of Art History
"This book offers strong, informed opinions, bold claims, and precise chronology about one of art history's favorite painters. While Binstock's forceful arguments are sure to be controversial, they will inevitably provoke fresh scholarly discussion and rekindle close examination of Vermeer's luminous pictures (and those of Carel Fabritius)."-Larry Silver, University of Pennsylvania, author of Hieronymus Bosch and Rembrandt's Faith (co-authored with Shelley Perlove)