Studies the experiences of sympathy that literary characters share with each other and argues that between 1750 and 1850, key works of British and French fiction generated a specific version of sympathy by manipulating traditional narrative forms and new publication practices in response to the Enlightenment.
Studies the experiences of sympathy that literary characters share with each other and argues that between 1750 and 1850, key works of British and French fiction generated a specific version of sympathy by manipulating traditional narrative forms and new publication practices in response to the Enlightenment.
Jeanne Britton is a Curator in the Irvin Department of Rare Books and Special Collections at the University of South Carolina, where she teaches literature courses that incorporate original print materials. Her interests include the novel, histories and theories of the emotions, the history of science, and book history.
Inhaltsangabe
* Introduction Defining Sympathy * 1: 1759 and 1794: Moral Sentiments, Political Revolution, and Narrative Form * 2: Letters in the Novel and the Novel in Letters: Henry Mackenzie's Julia de Roubigné and the Afterlife of the Epistolary Novel Roubigné and the Afterlife of the Epistolary Novel * 3: Laurence Sterne in the Romantic Anthology * 4: The Ends of Kinship in the French Romantic Novel * 5: Novelistic Sympathy in Frankenstein * 6: Wuthering Heights and the Relics of the Epistolary Novel * Coda
* Introduction Defining Sympathy * 1: 1759 and 1794: Moral Sentiments, Political Revolution, and Narrative Form * 2: Letters in the Novel and the Novel in Letters: Henry Mackenzie's Julia de Roubigné and the Afterlife of the Epistolary Novel Roubigné and the Afterlife of the Epistolary Novel * 3: Laurence Sterne in the Romantic Anthology * 4: The Ends of Kinship in the French Romantic Novel * 5: Novelistic Sympathy in Frankenstein * 6: Wuthering Heights and the Relics of the Epistolary Novel * Coda
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