This book discusses the intersections between Victorian literature, painting and photography in Ruskin, Morris and the Pre-Raphaelites.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of illustrations Acknowledgements Introduction 1. Ruskin, Morris and the (un)assertive eyes 2. 'Gaps on the mind's shelves': Ruskin's theory of the grotesque 3. 'The seed of the flower': photography and Pre-Raphaelitism 4. 'Where he cannot see, he will not venture far': the critical reception of The Defence of Guenevere 5. The optical agency of 'Rapunzel' 6. The politics of sight: The Defence of Guenevere and the optical determinants of medieval topography 7. Coda: through yellow lenses Notes Bibliography Index.
List of illustrations Acknowledgements Introduction 1. Ruskin, Morris and the (un)assertive eyes 2. 'Gaps on the mind's shelves': Ruskin's theory of the grotesque 3. 'The seed of the flower': photography and Pre-Raphaelitism 4. 'Where he cannot see, he will not venture far': the critical reception of The Defence of Guenevere 5. The optical agency of 'Rapunzel' 6. The politics of sight: The Defence of Guenevere and the optical determinants of medieval topography 7. Coda: through yellow lenses Notes Bibliography Index.
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