1. Responding to the woman question: re-reading non-canonical Victorian women novelists Nicola Diane Thompson; 2. Marriage and the anti-feminist woman novelist Valerie Sanders; 3. Breaking apart: the early Victorian divorce novel Anne Humpherys; 4. Phantasies of matriarchy in Victorian children's literature by non-canonical woman writers Alison Chapman; 5. Gendered observations: Harriet Martineau and the woman question Alexis Easley; 6. Maximising Oliphant: begging the question and the politics of satire Monica F. Cohen; 7. 'Ploughing in all directions': literary women of the 1850s and Charlotte Mary Yonge's Dynevor Terrace June Sturrock; 8. Portraits of the artist as a young woman: representations of the female artist in the women's writing of the 1890s Lyn Pykett; 9. Lady in green with novel: the economics of painting in women's writing Dennis Denisoff; 10. Ouida and the other new woman Pamela K. Gilbert; 11. Organizing women: new woman writers, new woman readers, and suffrage feminism Ann Ardis; 12. Shot out of the canon: Mary Ward and the claims of conflicting feminism Beth Sutton-Ramspeck; 13. Brave girls and strategic displacements: E. Nesbit and the woman question Amelia A. Rutledge; 14. 'An 'old-fashioned' young woman': Marie Corelli and the new woman Annette R. Federico.
1. Responding to the woman question: re-reading non-canonical Victorian women novelists Nicola Diane Thompson; 2. Marriage and the anti-feminist woman novelist Valerie Sanders; 3. Breaking apart: the early Victorian divorce novel Anne Humpherys; 4. Phantasies of matriarchy in Victorian children's literature by non-canonical woman writers Alison Chapman; 5. Gendered observations: Harriet Martineau and the woman question Alexis Easley; 6. Maximising Oliphant: begging the question and the politics of satire Monica F. Cohen; 7. 'Ploughing in all directions': literary women of the 1850s and Charlotte Mary Yonge's Dynevor Terrace June Sturrock; 8. Portraits of the artist as a young woman: representations of the female artist in the women's writing of the 1890s Lyn Pykett; 9. Lady in green with novel: the economics of painting in women's writing Dennis Denisoff; 10. Ouida and the other new woman Pamela K. Gilbert; 11. Organizing women: new woman writers, new woman readers, and suffrage feminism Ann Ardis; 12. Shot out of the canon: Mary Ward and the claims of conflicting feminism Beth Sutton-Ramspeck; 13. Brave girls and strategic displacements: E. Nesbit and the woman question Amelia A. Rutledge; 14. 'An 'old-fashioned' young woman': Marie Corelli and the new woman Annette R. Federico.
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