A critical survey of Viennese treatises on harmony and their reflection in the work of a number of 18-20c composers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert W. Wason is Professor Emeritus of Music Theory and Affiliate Faculty in Jazz and Contemporary Media at the Eastman School of Music.
Inhaltsangabe
Preface Introduction Part I: Figured Bass and Harmonic Theory in Vienna During the First Half of the Nineteenth Century 1. Eighteenth-Century Theory in Nineteenth-Century Vienna 2. Foreign Influences on Viennese Harmonic Theory 3. The Viennese Treatises of the First Half of the Nineteenth Century Part II: Simon Sechter and the Fundamental Bass 4. Sechter's First Theoretical Works; the Grundsätze 5. The Fundamental Bass 6. The Extension of the Fundamental 7. Progression in Minor; Chromatic Progression 8. Sechter's System of Harmony: Its Methodological Basis and Historical Origins Part III: Viennese Fundamental Bass Theory in the Second Half of the Century 9. Anton Bruckner, the Leading Apostle of Sechter's Teachings 10. "Romantic Harmony" and the Fundamental Bass 11. Sechter's System at the End of the Century Part IV: The Influence of Viennese Fundamental Bass Theory at the Beginning of the Twentieth Century 12. Systems of Harmony at the Beginning of the Century 13. Viennese Fundamental Bass Theory and the German Function Theory: A Synthesis 14. The Viennese Reaction: Schenker and Schoenberg Notes Bibliography Name Index Subject Index
Preface Introduction Part I: Figured Bass and Harmonic Theory in Vienna During the First Half of the Nineteenth Century 1. Eighteenth-Century Theory in Nineteenth-Century Vienna 2. Foreign Influences on Viennese Harmonic Theory 3. The Viennese Treatises of the First Half of the Nineteenth Century Part II: Simon Sechter and the Fundamental Bass 4. Sechter's First Theoretical Works; the Grundsätze 5. The Fundamental Bass 6. The Extension of the Fundamental 7. Progression in Minor; Chromatic Progression 8. Sechter's System of Harmony: Its Methodological Basis and Historical Origins Part III: Viennese Fundamental Bass Theory in the Second Half of the Century 9. Anton Bruckner, the Leading Apostle of Sechter's Teachings 10. "Romantic Harmony" and the Fundamental Bass 11. Sechter's System at the End of the Century Part IV: The Influence of Viennese Fundamental Bass Theory at the Beginning of the Twentieth Century 12. Systems of Harmony at the Beginning of the Century 13. Viennese Fundamental Bass Theory and the German Function Theory: A Synthesis 14. The Viennese Reaction: Schenker and Schoenberg Notes Bibliography Name Index Subject Index
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