Viewing Inscriptions in the Late Antique and Medieval World
Herausgeber: Eastmond, Antony
Viewing Inscriptions in the Late Antique and Medieval World
Herausgeber: Eastmond, Antony
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This book considers the visual qualities of inscriptions from a cross-cultural perspective focusing on the period from Late Antiquity to the Middle Ages.
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This book considers the visual qualities of inscriptions from a cross-cultural perspective focusing on the period from Late Antiquity to the Middle Ages.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 280
- Erscheinungstermin: 18. Juni 2015
- Englisch
- Abmessung: 260mm x 183mm x 20mm
- Gewicht: 729g
- ISBN-13: 9781107092419
- ISBN-10: 1107092418
- Artikelnr.: 41611741
- Verlag: Cambridge University Press
- Seitenzahl: 280
- Erscheinungstermin: 18. Juni 2015
- Englisch
- Abmessung: 260mm x 183mm x 20mm
- Gewicht: 729g
- ISBN-13: 9781107092419
- ISBN-10: 1107092418
- Artikelnr.: 41611741
Introduction: viewing inscriptions Antony Eastmond; 1. Text, image, memory,
and performance: epigraphic practices in Persia and the ancient Iranian
world Matthew P. Canepa; 2. Prayers on site: the materiality of devotional
graffiti and the production of early Christian sacred space Ann Marie
Yasin; 3. Erasure and memory: Aghlabid and Fatimid inscriptions in North
Africa Jonathan Bloom; 4. Textual icons: viewing inscriptions in medieval
Georgia Antony Eastmond; 5. Pseudo-Arabic 'inscriptions' and the pilgrim's
path at Hosios Loukas Alicia Walker; 6. Arabic inscriptions in the Cappella
Palatina: performativity, audience, legibility, and illegibility Jeremy
Johns; 7. Intercession and succession, enlightenment and reflection: the
inscriptional and decorative program of the Qaratay Madrasa, Konya Scott
Redford; 8. Remembering Fernando: multilingualism in medieval Iberia Tom
Nickson; 9. Displaying the word: words as visual signs in the Armenian
architectural decoration of the monastery of Noravank (fourteenth century)
Ioanna Rapti; 10. Written in stone: civic memory and monumental writing in
the Cathedral of San Lorenzo in Genoa Stefania Gerevini; 11. Place, space,
and style: craftsmen's signatures in medieval Islamic art Sheila S. Blair;
Afterword: re-viewing inscriptions Antony Eastmond.
and performance: epigraphic practices in Persia and the ancient Iranian
world Matthew P. Canepa; 2. Prayers on site: the materiality of devotional
graffiti and the production of early Christian sacred space Ann Marie
Yasin; 3. Erasure and memory: Aghlabid and Fatimid inscriptions in North
Africa Jonathan Bloom; 4. Textual icons: viewing inscriptions in medieval
Georgia Antony Eastmond; 5. Pseudo-Arabic 'inscriptions' and the pilgrim's
path at Hosios Loukas Alicia Walker; 6. Arabic inscriptions in the Cappella
Palatina: performativity, audience, legibility, and illegibility Jeremy
Johns; 7. Intercession and succession, enlightenment and reflection: the
inscriptional and decorative program of the Qaratay Madrasa, Konya Scott
Redford; 8. Remembering Fernando: multilingualism in medieval Iberia Tom
Nickson; 9. Displaying the word: words as visual signs in the Armenian
architectural decoration of the monastery of Noravank (fourteenth century)
Ioanna Rapti; 10. Written in stone: civic memory and monumental writing in
the Cathedral of San Lorenzo in Genoa Stefania Gerevini; 11. Place, space,
and style: craftsmen's signatures in medieval Islamic art Sheila S. Blair;
Afterword: re-viewing inscriptions Antony Eastmond.
Introduction: viewing inscriptions Antony Eastmond; 1. Text, image, memory,
and performance: epigraphic practices in Persia and the ancient Iranian
world Matthew P. Canepa; 2. Prayers on site: the materiality of devotional
graffiti and the production of early Christian sacred space Ann Marie
Yasin; 3. Erasure and memory: Aghlabid and Fatimid inscriptions in North
Africa Jonathan Bloom; 4. Textual icons: viewing inscriptions in medieval
Georgia Antony Eastmond; 5. Pseudo-Arabic 'inscriptions' and the pilgrim's
path at Hosios Loukas Alicia Walker; 6. Arabic inscriptions in the Cappella
Palatina: performativity, audience, legibility, and illegibility Jeremy
Johns; 7. Intercession and succession, enlightenment and reflection: the
inscriptional and decorative program of the Qaratay Madrasa, Konya Scott
Redford; 8. Remembering Fernando: multilingualism in medieval Iberia Tom
Nickson; 9. Displaying the word: words as visual signs in the Armenian
architectural decoration of the monastery of Noravank (fourteenth century)
Ioanna Rapti; 10. Written in stone: civic memory and monumental writing in
the Cathedral of San Lorenzo in Genoa Stefania Gerevini; 11. Place, space,
and style: craftsmen's signatures in medieval Islamic art Sheila S. Blair;
Afterword: re-viewing inscriptions Antony Eastmond.
and performance: epigraphic practices in Persia and the ancient Iranian
world Matthew P. Canepa; 2. Prayers on site: the materiality of devotional
graffiti and the production of early Christian sacred space Ann Marie
Yasin; 3. Erasure and memory: Aghlabid and Fatimid inscriptions in North
Africa Jonathan Bloom; 4. Textual icons: viewing inscriptions in medieval
Georgia Antony Eastmond; 5. Pseudo-Arabic 'inscriptions' and the pilgrim's
path at Hosios Loukas Alicia Walker; 6. Arabic inscriptions in the Cappella
Palatina: performativity, audience, legibility, and illegibility Jeremy
Johns; 7. Intercession and succession, enlightenment and reflection: the
inscriptional and decorative program of the Qaratay Madrasa, Konya Scott
Redford; 8. Remembering Fernando: multilingualism in medieval Iberia Tom
Nickson; 9. Displaying the word: words as visual signs in the Armenian
architectural decoration of the monastery of Noravank (fourteenth century)
Ioanna Rapti; 10. Written in stone: civic memory and monumental writing in
the Cathedral of San Lorenzo in Genoa Stefania Gerevini; 11. Place, space,
and style: craftsmen's signatures in medieval Islamic art Sheila S. Blair;
Afterword: re-viewing inscriptions Antony Eastmond.