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Photographer John Willis has long been aware of the exploitation that can occur when photographers enter communities as outsiders. So, in 1992, when he first visited the Pine Ridge Indian Reservation in South Dakota, he assured elders of the Oglala Lakota nation that he would not exhibit any of his images.

Produktbeschreibung
Photographer John Willis has long been aware of the exploitation that can occur when photographers enter communities as outsiders. So, in 1992, when he first visited the Pine Ridge Indian Reservation in South Dakota, he assured elders of the Oglala Lakota nation that he would not exhibit any of his images.
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Autorenporträt
John Willis is Professor of Photography at Marlboro College and a co-founder of the In-Sight Photography Project (www.insight-photography.org) and Exposures Cross Cultural Youth Photography Program (www.exposures-program.com). He was awarded a John Simon Guggenheim Memorial Foundation Fel-lowship in Photography after Views from the Reservation was first published in 2010. His photographs are in more than sixty collections, including the Amon Carter Museum, Center for Creative Photography, George Eastman House International Museum of Photography and Film, J. Paul Getty Museum, Heard Museum, High Museum of Art, Library of Congress, Museum of Fine Arts, Boston, Museum of Fine Arts, Houston, National Gallery of Art, National Museum of the American Indian, Nelson-Adkins Museum of Art, Princeton University Art Museum, San Francisco Museum of Modern Art, Tokyo Metropolitan Muse-um of Photography, Whitney Museum of American Art, and Yale University Gallery of Art. His other books are Recycled Realities, a collaborative effort with photographer Tom Young (Center for American Places, 2005) and Views from the Reservation: A New Edition (George F. Thompson Publishing, 2019). His Website is www.jwillis.net.