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Vincent Persichetti: Grazioso, Grit, and Gold is the first critical biography of the esteemed American composer, bringing together scholarly work and short contributed essays of prominent performers. Andrea Olmstead weaves a captivating narrative of the composer from his early life to his musical activities at Juilliard and death in 1987.
Vincent Persichetti: Grazioso, Grit, and Gold is the first critical biography of the esteemed American composer, bringing together scholarly work and short contributed essays of prominent performers. Andrea Olmstead weaves a captivating narrative of the composer from his early life to his musical activities at Juilliard and death in 1987.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 522
- Erscheinungstermin: 13. September 2018
- Englisch
- Abmessung: 235mm x 157mm x 35mm
- Gewicht: 992g
- ISBN-13: 9781538118085
- ISBN-10: 1538118084
- Artikelnr.: 53020705
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 522
- Erscheinungstermin: 13. September 2018
- Englisch
- Abmessung: 235mm x 157mm x 35mm
- Gewicht: 992g
- ISBN-13: 9781538118085
- ISBN-10: 1538118084
- Artikelnr.: 53020705
Andrea Olmstead is the author of six books, including a history of The Juilliard School, four books on composer Roger Sessions, and the e-book Who Was F. Scott Fitzgerald's Daisy?. She has held three fellowships from the National Endowment for the Humanities, four writing fellowships from the Virginia Center for the Creative Arts, and ten visiting scholar residences at the American Academy in Rome. Olmstead has taught music history at The Juilliard School, the New England Conservatory of Music Preparatory Division, and the graduate program at the University of Massachusetts-Amherst.
Table of Contents List of Illustrations Acknowledgements Introduction Part
I: 1915-1939 Chapter 1: Early Life and Musical Training Chapter 2: The
Combs Conservatory Chapter 3: Persichetti as a Student Chapter 4: Arch
Street Church and the Silent Year Chapter 5: The Philadelphia Conservatory
of Music and Paul Nordoff Chapter 6: Olga Samaroff Chapter 7: The
Philadelphia Orchestra, Stokowski, Ormandy Chapter 8: Curtis Institute and
Reiner Chapter 9: The "Silent" Decade Part II: 1938-1962 Chapter 10:
Dorothy from Kansas Chapter 11: Music in 1939 and 1940 Chapter 12:
1941-1943 Chapter 13: Roy Harris Chapter 14: The Philadelphia Conservatory
and a Trial Chapter 15: William Schuman and Juilliard Chapter 16: Choral
Settings of E. E. Cummings Chapter 17: The Piano Sonata Period Chapter 18:
Divertimento for Band Chapter 19: Harmonium Chapter 20: 1952-1953 Chapter
21: The Schuman Book Chapter 22: Hymns and Responses for the Church Year
Chapter 23: Symphony for Band Chapter 24: The Year of the Song Chapter 25:
Seventh Symphony Chapter 26: Mass Chapter 27: Twentieth-Century Harmony
Part III: 1962-1987 Chapter 28: Peter Mennin and Lincoln Center Chapter 29:
Religious Music Chapter 30: Masquerade Chapter 31: The Choral(e) Years,
1966-1969 Chapter 32: The Creation Chapter 33: Ninth Symphony Chapter 34:
Parables Chapter 35: A Lincoln Address Chapter 36: More Parables Chapter
37: The Sibyl Chapter 38: English Horn Concerto Chapter 39: Mirror Music
Chapter 40: The Harpsichord Period Chapter 41: 1985-1987 Chapter 42: Death
and Posthumous Reputation Notes Bibliography Index of Works Index About the
Author
I: 1915-1939 Chapter 1: Early Life and Musical Training Chapter 2: The
Combs Conservatory Chapter 3: Persichetti as a Student Chapter 4: Arch
Street Church and the Silent Year Chapter 5: The Philadelphia Conservatory
of Music and Paul Nordoff Chapter 6: Olga Samaroff Chapter 7: The
Philadelphia Orchestra, Stokowski, Ormandy Chapter 8: Curtis Institute and
Reiner Chapter 9: The "Silent" Decade Part II: 1938-1962 Chapter 10:
Dorothy from Kansas Chapter 11: Music in 1939 and 1940 Chapter 12:
1941-1943 Chapter 13: Roy Harris Chapter 14: The Philadelphia Conservatory
and a Trial Chapter 15: William Schuman and Juilliard Chapter 16: Choral
Settings of E. E. Cummings Chapter 17: The Piano Sonata Period Chapter 18:
Divertimento for Band Chapter 19: Harmonium Chapter 20: 1952-1953 Chapter
21: The Schuman Book Chapter 22: Hymns and Responses for the Church Year
Chapter 23: Symphony for Band Chapter 24: The Year of the Song Chapter 25:
Seventh Symphony Chapter 26: Mass Chapter 27: Twentieth-Century Harmony
Part III: 1962-1987 Chapter 28: Peter Mennin and Lincoln Center Chapter 29:
Religious Music Chapter 30: Masquerade Chapter 31: The Choral(e) Years,
1966-1969 Chapter 32: The Creation Chapter 33: Ninth Symphony Chapter 34:
Parables Chapter 35: A Lincoln Address Chapter 36: More Parables Chapter
37: The Sibyl Chapter 38: English Horn Concerto Chapter 39: Mirror Music
Chapter 40: The Harpsichord Period Chapter 41: 1985-1987 Chapter 42: Death
and Posthumous Reputation Notes Bibliography Index of Works Index About the
Author
Table of Contents List of Illustrations Acknowledgements Introduction Part
I: 1915-1939 Chapter 1: Early Life and Musical Training Chapter 2: The
Combs Conservatory Chapter 3: Persichetti as a Student Chapter 4: Arch
Street Church and the Silent Year Chapter 5: The Philadelphia Conservatory
of Music and Paul Nordoff Chapter 6: Olga Samaroff Chapter 7: The
Philadelphia Orchestra, Stokowski, Ormandy Chapter 8: Curtis Institute and
Reiner Chapter 9: The "Silent" Decade Part II: 1938-1962 Chapter 10:
Dorothy from Kansas Chapter 11: Music in 1939 and 1940 Chapter 12:
1941-1943 Chapter 13: Roy Harris Chapter 14: The Philadelphia Conservatory
and a Trial Chapter 15: William Schuman and Juilliard Chapter 16: Choral
Settings of E. E. Cummings Chapter 17: The Piano Sonata Period Chapter 18:
Divertimento for Band Chapter 19: Harmonium Chapter 20: 1952-1953 Chapter
21: The Schuman Book Chapter 22: Hymns and Responses for the Church Year
Chapter 23: Symphony for Band Chapter 24: The Year of the Song Chapter 25:
Seventh Symphony Chapter 26: Mass Chapter 27: Twentieth-Century Harmony
Part III: 1962-1987 Chapter 28: Peter Mennin and Lincoln Center Chapter 29:
Religious Music Chapter 30: Masquerade Chapter 31: The Choral(e) Years,
1966-1969 Chapter 32: The Creation Chapter 33: Ninth Symphony Chapter 34:
Parables Chapter 35: A Lincoln Address Chapter 36: More Parables Chapter
37: The Sibyl Chapter 38: English Horn Concerto Chapter 39: Mirror Music
Chapter 40: The Harpsichord Period Chapter 41: 1985-1987 Chapter 42: Death
and Posthumous Reputation Notes Bibliography Index of Works Index About the
Author
I: 1915-1939 Chapter 1: Early Life and Musical Training Chapter 2: The
Combs Conservatory Chapter 3: Persichetti as a Student Chapter 4: Arch
Street Church and the Silent Year Chapter 5: The Philadelphia Conservatory
of Music and Paul Nordoff Chapter 6: Olga Samaroff Chapter 7: The
Philadelphia Orchestra, Stokowski, Ormandy Chapter 8: Curtis Institute and
Reiner Chapter 9: The "Silent" Decade Part II: 1938-1962 Chapter 10:
Dorothy from Kansas Chapter 11: Music in 1939 and 1940 Chapter 12:
1941-1943 Chapter 13: Roy Harris Chapter 14: The Philadelphia Conservatory
and a Trial Chapter 15: William Schuman and Juilliard Chapter 16: Choral
Settings of E. E. Cummings Chapter 17: The Piano Sonata Period Chapter 18:
Divertimento for Band Chapter 19: Harmonium Chapter 20: 1952-1953 Chapter
21: The Schuman Book Chapter 22: Hymns and Responses for the Church Year
Chapter 23: Symphony for Band Chapter 24: The Year of the Song Chapter 25:
Seventh Symphony Chapter 26: Mass Chapter 27: Twentieth-Century Harmony
Part III: 1962-1987 Chapter 28: Peter Mennin and Lincoln Center Chapter 29:
Religious Music Chapter 30: Masquerade Chapter 31: The Choral(e) Years,
1966-1969 Chapter 32: The Creation Chapter 33: Ninth Symphony Chapter 34:
Parables Chapter 35: A Lincoln Address Chapter 36: More Parables Chapter
37: The Sibyl Chapter 38: English Horn Concerto Chapter 39: Mirror Music
Chapter 40: The Harpsichord Period Chapter 41: 1985-1987 Chapter 42: Death
and Posthumous Reputation Notes Bibliography Index of Works Index About the
Author